Stegzy's Music Project

A commentary on Stegzy's album collection

The Gospel of Inhumanity – Blood Axis [#539]

on April 11, 2016

Gospel_of_Inhumanity_CoverBlood Axis’ first album noted for featuring an interview with crazy Charles Mansun and poetry by Ezra Pound (The Voyage (Canto)).

There are two “songs” on the album that really strike me as significant. The first is track 5, Herr nun lab in Frieden (Men now live in peace) in which an excerpt from Moynihan’s interview with Charles Manson features. Manson talks about his grandfather’s realisation of the futility of war in the trenches during World War I.

The second is Absinthe (track 7) which is a tantalising taste of Moynihan’s then future collaboration with Le Joyaux de la Princesse.

Despite the album’s perceived intellectual leanings toward far right fascism, mostly due to Pound’s presence and his political beliefs and poetry by Nietzsche,  Blood Axis’ Michael Moynihan has denied such a connection. During the nineties, this album, industrial, neofolk and other similar genres became synonymous with neo-nazism notably by those fearful of the rise of gothic movement following the shootings by the Trench Coat Mafia at Columbine (conservative Americans).

However, a little research will reveal that in fact Moynihan has denounced the far right stating:

” Whether they’re the Marxist/Communist/Socialist people who think that humans want to get along on a grand scale, or whether it’s the Nazis, who think that if everyone was just of the same race, they’d all get along perfectly, or the anarchists, who think everyone would love to live this way if you just took away the police. They’re all deluded. People should worry about what happens on their block. They should get along with their neighbours before they worry about the great ills of society and about telling someone who lives 200 miles away what to do.”

It helps, if, like me, you first approach the album without knowing the alleged political and philosophical subtexts within the music. Indeed, taking the supposed philosophies and politics away from the album and approaching it, like I did, as a work of art, is not a difficult thing to do. In doing so, you actually can appreciate a dark, intellectual and thought provoking selection of music combining poetry, samples from Wicker Man and aural sound paintings similar to that presented later by Blood Axis when working with Le Joyaux de la Princesse on their collaboration Absinthe.

 

 

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