Stegzy's Music Project

A commentary on Stegzy's album collection

Welcome to Stegzy’s Music Project

 

Mba22

Hello there!

Hello! Thank you for coming along.

Over the years I have accrued over 182Gb of music. That’s loads. Some I have paid for, others I have obtained as gifts or nefariously.

A great deal of this music I have not listened to, mostly because of protests from people in the same room but also because it would take me about 92.7 solid 24 hour days to listen to the entire lot (figures accurate). So, towards the end of 2012, I thought I would listen to each album in its entirety and post a small review of what I have listened to.

So far I have listened to a variety of music from various ends of the music spectra. From pop to experimental via the twisty-turny pathways of prog, goth and heavy metal. This blog was set up in response to demands by long term readers of my Livejournal blog. Mostly “Stop”, “Please no more” and “My God! You call this music?!”. Curiously, the same demands that come from people who are unfortunate enough to travel as a passenger in my car.

Each day, using J River Media Centre and iTunes,  I will be listening to the albums alphabetically without the aid of headphones and posting comments, reviews and general thoughts on each album as I come across them. Some might be good, others, bloody awful.

You can follow my progress here or via my Last.FM profile.  So, sit back, tune in, drop out, buckle up and fetch your pipe and slippers. With over 1800 albums to listen to, it’s going to be a very long ride.

**Update** – I am now accepting contributors. If you would like to review an album from my collection, please contact me via comment, PM or email. You can request an album to be appointed at random or let me know which artist you like. I might just have an album or two for you to provide commentary on.

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Interstellar Encore – Pink Floyd [#636]

R-1738078-1240176164.jpeg.jpgA bootleg so bootleggy you can smell the sweaty socks. Interstellar Encore is one of many Pink Floyd bootlegs donated to my collection by a former work colleague who had a similarly large music library to mine, although admittedly, most of his music was a bit more….”bootleggy” in nature.

Of course, back then, the tagging of MP3s was in its infancy and some people used to just dump a load of MP3s into a folder of a CD with no organisation and pass it around like a spliff at a hippy party. Carefully written sleeve inserts would get mixed up and any questions about which MP3 belonged to which album quite often resulted in snorts of derision.

So, as a result of how it happened, my version of Interstellar Encore might differ from 99% of the people out there with the actual Interstellar Encore bootleg although on research the track listing does seem to match up. But, such is the nature of illicit downloads and bootlegs; only a true fan would tell you whether it was actually the Filmrore West Interstellar Encore version of Embryo that I have or if it was the Biding My Time in Croydon version.

Like I care.

Incidentally, if you’re still enjoying this music project, I would appreciate a little publicity. One thing that fires me up when doing this project is knowing I have a readership. While it’s not exactly interactive like say The Existential Compost, The Compostual Existentialist or u/stegzy on Reddit, a look at the (very basic) site stats shows me that I do have some visitors, but having more keeps my typing fingers itching!

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Emerger – Carptree [#635]

Emerger by Carptree
Apple Music was one of the causes of the last hiatus. Having taken advantage of the super 3 months free offer and slightly better than usual broadband at my rural home, I was given access to loads of new music. Moreover, I was thrilled to discover the “Suggested for you” feature of the For You tab and how it “Suggests” music you might like based on your listening. Then, one-day last year, Apple Music suggested I’d like Emerger by Carptree and that was it, I was sucked in like a leaf in a water pump reservoir.

Carptree do everything right that a progressive rock band formed of two Swedish blokes with a fondness for fishing and a theremin would do. Bog standard low budget music videos, lyrics about nature, crazy waxed moustaches, lots of keyboard twiddly and a vocalist that sounds like Peter Gabriel before he went all Brian Pern.

Emerger is new prog done well. Like someone has been handed the progressive rock recipe book and followed it to the letter. The whole album has a semi-concept feel (is it about fishing? Or is it about life on a river bed? I’m not entirely convinced) and the production values show how easy it is for middle-aged mates to be creative together in a “We’re getting old now but haven’t made it yet because of the day job” way with an Apple Mac and a bloke from work who plays the drums.

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Insane Times – Various Artists [#634]

 

61FhX7u36eLInsane Times: 25 Psychedelic Artyfacts from the EMI Vaults is a compilation album of really odd music. I’d say completely odd but the inclusion of Bonzo Dog, Yardbirds and Kevin Ayres kind of bring the oddness down a bit. It is though, very much the Psychadelic Rock version of the folk anthology Gather in the Mushrooms

Amongst the bands appearing in this compilation are Mandrake Paddle Steamer, Simon Dupree & the Big Sound, The Lemon Tree and The Orange Bicycle with some oddly familiar yet new to many songs. I saw this compilation as a gateway to new-to-me and interesting acts from the psychedelic era, about the time when the Beatles were farting about with Sergeant Pepper and lots of drugs and indeed, there are subtle beginnings of some huge prog acts within this album and bands in which young prog stars cut their teeth.

Very much an interesting selection.

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Inconsolable Secret – Glass Hammer [#633]

TheinconsolablesecretWhenever I hear Glass Hammer, I can’t help imagining a group of prog loving guys getting together to play music they enjoy. They do a few cover versions then decide to do their own stuff. Their own stuff is heavily laden with references to riffs and melodies from the covers they have just played. This makes their sound almost comical and self-referential.

I first heard Glass Hammer on the Odessey concept album, a various artist collaboration retelling the story of Odysseus, in the track In the Court of King Alkinoos and was interested in its similarities to works by Yes and King Crimson. A quick Google resulted in the suggestion that Inconsolable Secret was an album that I’d like.

I didn’t.

There is a little too much twiddly in the album for me. Lots of long keyboard widdling and guitar wankery can be a little too detrimental to the sound of an album. Moreover, the similarities to Yes are a little too obvious. Indeed, Glass Hammer singer Jon Davidson would later go on to replace Jon Anderson in the latest post-Squire incarnation of Yes. Beyond that, there are too many similarities to In the Court of King Alkinoos. Too often I forgot I was listening to Inconsolable Secret and thought iTunes had slipped into Oddessey. Still, it’s an interesting work and I suppose I keep it just incase my music tastes develop later, much like how they did recently with Renaissance and Illusion.

 

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The Incident – Porcupine Tree [#632]

Unknown-6.jpegPorcupine Tree‘s tenth and final album, The Incident draws heavily from other progressive rock bands and especially shows influence from Pink Floyd in their homage Time Flies which has clear elements of Animals and Dark Side of the Moon woven stylistcally throughout the song.

The first time I properly listened to this album was while doing research for today’s post and was frequently surprised by the elements that appear throughout the album. THe aforementioned Pink Floyd homage and even stylistical similarities to David GalasCataclysm.  Definiately the icing on the Porcupine Tree Cake, the album has grown on me over the weeks and, if you’re a prog or Pink Floyd fan, I think you too might be tempted to lean favorably towards it.

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The A1111….and Other ones – John Shuttleworth [#631]

Unknown-5One-trick Pony John Shuttleworth’s latest album.

You might know Graham Fellows as Jilted John or in his Northern persona John Shuttleworth. Simplistic easy listening with a heavy dose of Northern British humour. I bought this album after seeing Shuttleworth live in Milton Keynes.

An amusing musical folly.

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Incas Valley – Yes/Anderson Bruford Wakeman Howe[#630]

Unknown-4As long term readers of this project might remember, during the divergence of Yes in the early nineties, when Chris Squire said “No” to Jon Anderson’s use of the band name

Yes

forcing the creation of  the eponymous Anderson Bruford Wakeman Howe (and later the creation of Anderson Rabin Wakeman (ffs!)), Jon Anderson, Bill Bruford, Rick “Keyboard Wizard” Wakeman and Steve “Carpet” Howe  got together with Tony Levin, released an album and went on a world tour entitled An Evening of Yes Music. Incas Valley is the bootleg of one of those shows.

I remember being excited at the prospect of Anderson Bruford Wakeman Howe touring the UK with their show and hoped that I would be granted permission from my parents to go to their gig, the closest to me at the time was in Birmingham. Sadly, my olds decreed that 16 was too young to go to Birmingham to see a rock band on my own and my older brothers couldn’t care less about their younger brother’s musical development so didn’t offer to take me. Instead one recorded onto a cassette a BBC radio broadcast of the gig instead so I had to make do with that.

Many years later I discovered the Incas Valley bootleg on a binary newsgroup and it was pretty much the same set but with extras. So now, to relive that experience, I often play Incas Valley on my stereo in the kitchen while I charge myself £40 to sit in the loft and pretend I’m in the Birmingham Arena. Win!

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Incantations – Mike Oldfield [#629]

Incantations_(Mike_Oldfield_album_-_cover_art)Incantations is Oldfield’s fourth album following Ommadawn and precedes Exposed. Musically, this album features themes and motifs that are repeatedly used throughout the four sides accompanied by Oldfield’s stylistically familiar circle of fifths.  Through his guitar wankery, his use of choral and a folksy solo by his singer du jour, Steeleye Span’s Maddy Prior (doing a really good impression of Renaissance’s Annie Haslam), the whole album just screams Mike Oldfield.

Incantations requires a good set of headphones, a good red wine and a badly earthed hi-fi for that true middle-class seventies dad experience. It is sadly too minimalist for casual listens and, like most of Oldfield’s work, definitely requires the listener’s full attention to appreciate fully.

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In the Name of the Father (OST) – Various Artists [#628]

 

Unknown-3.jpegThe soundtrack for the 1993 film In the Name of the Father about the Guildford pub bombings of 1974.

While the film is an often harrowing study on injustice, political corruption and false convictions, the soundtrack is nothing that special. Bono, Sinead O Connor, Gavin Friday, The Kinks and Thin Lizzy (naturally with their Whisky in the Jar) give the whole set the geographical soundscape for the period piece, Bono and O’ Connor  for the Irish connection and The Kinks and Thin Lizzy to set the time.

I think around that time in the nineties there was a strong swell in Irish pop and rock surfing on the crest of which was Bono on his U2 surfboard and it seemed like any TV show or film with a vague Irish link would have featured either a song by U2 or Sinead O’ Connor.

Mrs Gnomepants v1.0 was very fond of the film and requested that I obtain the soundtrack during the Great Internet  Free For All of the early to mid noughties.

 

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In the Court of the Crimson King – King Crimson [#627]

In_the_Court_of_the_Crimson_King_-_40th_Anniversary_Box_Set_-_Front_coverI first learned about King Crimson following the amusing Bill Bailey fronted Channel 4 docu-countdown-show Top Ten Prog which was broadcast at the height of the prog revival of the late nineties/early noughties.

Crimson King was the band’s first album, King Crimson then comprising of Robert Fripp  Michael Giles, Greg Lake, Ian McDonald and Peter Sinfield. Over the years Crimson’s line up would change more often than I change my socks with other notable musicians such as Yes’ Bill Bruford and session musician Tony Levin turning up over the years. As a result of this frequent fluctuation of line up, it is difficult to find a sound that one can pin on their output as 100% identifiable King Crimson. Indeed, their heavy jazz influence makes most of their output inaccessible to me as after a while, for me, it starts to grate.

Even so, the variety of the sound and the diverse use of instruments make In the Court of the Crimson King is an album I enjoy listening to, however, the album is, sadly, not available on Apple Music. Licencing again eh?

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In the Clear – Ivy [#626]

IntheclearTess Don’t Tell was the first song I ever heard from this, Ivy’s fifth studio album. I forget where it was but suspect that it was on a random “Music you might like” playlist from the earlier days of Last.FM before it was bought by Spotify and ruined.  Of course having a band name like Ivy meant having to use hardcore advanced Googlefu so that Ivy, the American band, came up in searches instead of what other monstrosities came up instead.

Ivy’s sound is a familiar one, haunting female vocals over lackadaisical rhythm and melody that just says LAZY SUMMER’S DAY in huge invisible letters. They’ve been sampled in Europe and were quite popular in parts of North America and Canada for a while. Sadly, as with many non-British bands, the licencing laws and promotion of such bands in the UK mean that few people here have heard of them except perhaps in the occasional American TV show or film.

Which is a great shame.

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In Search of the Lost Chord – Moody Blues [#625]

Drugs are bad, or so South Park’s Mr Mackey says. But as anyone who really remembers the sixties will tell you, drugs make the music go weirder and In Search of the Lost Chord pretty much demonstrates this.

The third Moody Blues album. A mix of proto-prog and fully-fledged prog laced generously with that British pop sound synonymous with the late 1960s as heard on contemporaneous bands like the Kinks and The Lemon Tree. Though many will deny they did, young, up and coming youth influencing popsters at this time were experimenting with LSD and other psychedelics, indeed, the music these artists produced was much more multidimensional than the offerings we receive from present-day artists. Moreover, music from the time often made reference to historical and literary characters, furthermore, contemporary popular ideologists and figureheads like Timothy Leary featured prominently and, indeed, hidden, within the lyrics and art produced at the time.

These days the most we can expect from popular music artists is a reference to whichever corporation they’re sponsored by and the mere mention of anything semi-political will just kill your career. Indeed, expecting a teenager these days to have a teaspoon of cultural knowledge is often as ridiculous as expecting a bus full of clowns to pull up outside your house on a rainy day in July.

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In Rainbows – Radiohead [#624]

Never really been a big fan of Radiohead, Creep and Paranoid Android were my limit. They were always one of those bands people told me that  I “should like”. Like it was some edict from above. “You should like Radiohead”.

I didn’t.

Despite having their “Best Of” I still really don’t get the whole Radiohead thing. Maybe it’s one of those “You had to be there” kind of things. I was there though, I just didn’t pay attention.

In Rainbows was the first pay as you feel album I bought. I paid £1 for it purely because I wanted Nude which was also £1 and I’m such a stiggler for a bargain. Though to be fair, I only wanted Nude because of this video.

 

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In Memoriam (P Henroit 1889-1944) – Les Joyaux de la Princesse [#623]

We’ve seen Les Joyaux de la Princesse (LDJP) on the music project several times before, so by this time we should be aware that yes, they have been associated with some far right philosophies and yes, they have looked at a history that some would prefer to be buried, but we should not bury history for how else can we learn the errors we have made in the past. Moreover, art should know no barrier and we should consider that, for all we know, even the Statue of David or the Mona Lisa may have hidden connotations no longer apparent to modern eyes.

However, readers also should remember that while some music in my collection has been associated with some less than savory organisations and times in history, even the likes of Band Aid and what they stand for are seen as obscene in some parts of the world, but that doesn’t mean that the music isn’t any good and, indeed, while I don’t agree with the politics and allusions made by such artists, I appreciate their work.

In Memoriam is LDJP’s second 2004 release and is a work that examines through noise, recordings and industrial ambience the life of Philippe Henroit, a staunch anti-communist and Nazi sympathiser in Vichy France.

Not knowing this when I obtained it, I enjoyed the music for what it is, atmospheric ambience overlain with recordings of a strong and passionate sounding French speech, a language that I have very little comprehension of beyond playing ping pong in La Rochelle. I suppose in my childlike innocence and ignorance, I am attracted to the haunting voices and sustained industrial music rather than the ideology and symbolism that is lost in aural exposition.

 

 

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In Ear Park – Department of Eagles [#622]

In Ear Park by Department of Eagles

There has been some discussion of late about the longevity of albums in the music market and how, because of the likes of Spotify (a Facebook infected platform), Apple Music and Google Play, albums have only a few years left in them. This is a discussion that people have been having for some years now, indeed, there have been discussions about why modern artists are required to provide fans with a selection of their other works when, surely just by the hard work put into making one song alone, the fans should just be thankful and worship the artist just for that one pitiful track. Kids today eh?

And why not?

Well, this is an example of where I’ve downloaded bought an entire album purely because I liked one track. Really I should come up with a tag for this kind of thing as it seems to have happened regularly.

Sometime ago, the song No One Does It Like You kept coming up on random playlists and internet radios where the software decides what music you would like. So often did it surface, I had to find out what it was from.

From the sounds of the song, I thought it had been dredged up from some 1960’s hipster compilation I had but I was mistaken, it was, in fact from the 2008 album  In Ear Park by Department of Eagles.  I suspect that the reason it kept coming up was that I’m a big fan of the 4AD label and many of the artists on that label such as Tanya Donelly, Dead Can Dance and Kristin Hersh to name but a few.

Over the years, including the recent weeks before writing this article, I’ve tried to enjoy the other tracks on the album. I don’t know what it is, but something just doesn’t gel with me. Whether that be mood, time, situation or just the fact it’s a little unfamiliar and not catchy enough beyond No One Does It Like You. 

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In Abstentia – Porcupine Tree [#621]

As a mature media student at Huddersfield Uni, it was fun, and refreshing, to discuss similar musical tastes with my lecturers during tutorials.

During one long discussion about the joys of Prog when we should have been discussing Media Theory, my lecturer asked me if I knew about Porcupine Tree. I said I didn’t. Reaching over to the bookshelf above his desk, he picked out a copy of In Absentia and told me that my homework was to listen to the album.

I was late handing in the assignment. Probably now nearly ten years late. To be fair, I’ve listened to some of the tracks admittedly not all but what I’ve heard I have enjoyed. Indeed, Blackest Eyes has featured in a number of my in-car playlists over the past few years. It is the band’s seventh album coming between Lightbulb Sun and Deadwing and features several songs seemingly about serial killing. As you do…

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From an Ancient Star – Belbury Poly [#620]

Screen Shot 2018-04-15 at 18.21.06

Today I’m stepping back in time to add some of the albums I have bought since starting this project back in 2014. While I will continue to work through my album collection alphabetically, occasionally, once a month at least, I will post an album bought recently that  I may have missed alphabetically. One such example is todays offering from hauntology experts Belbury Poly.

From an Ancient Star is, in my mind at least, the soundtrack from a British 1970’s children’s TV programme from Ghost Box Studios. A young family, mother deceased, move into a spooky old manor house in rural Berkshire (because it always is); Two older children, brother and sister, their adopted younger sibling and scientist father.

Within the house they discover a “hidden door” which, it transpires, allows passage between a strange new world wherein the children have a most peculiar adventure. Freddie Jones or Patrick Troughton would be the old man living near the house with seemingly bizarre ideas, while rugged Patrick Allen would provide wise sensible fatherly words to his wild sounding children alight with strange tales, perhaps supported by his new girlfriend possibly played by someone like Caroline Munro.

Sadly, there isn’t really such a programme, but, upon listening, hauntological memories of Owl Service, Children of the Stones and Dramarama from the golden age of children’s TV are invoked. Its not hard to imagine the music being used in such programmes, yet the album is actually from 2009.

Belbury Poly have a really unique and imagination driving sound and I think of recent years, this has got to be my most favourite Belbury Poly album. From beginning to end, every time you listen, you get something new.

Or should that be reawakened memories from that parallel universe you slipped in from….

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In a Moment…Ghost Box – Various Artists [#619]

Unknown-1Ghost Box. The stable from where delights such as Belbury Poly, Broadcast and Focus Group hail. In a Moment…Ghost Box is a compilation of some of the most awesome hauntological music you’ll ever hear. If you’re looking to relive those summer holidays in Scarfolk or those school gatherings around the TV in a cabinet on stilted wheels, then this is what you want to listen to.

Invoking memories of a prenuclear holocaust society, crap video graphics and lots of nylon sweaters, the album is a showcase for many different bands that come under the Ghost Box label’s protective cloak. An excellent starting place for people wanting to explore music of its type.

This album is definitely a gateway album. Though probably to another dimension rather than hard drugs. I suppose that depends on your outlook on life. It is also one of the main reasons why there was a hiatus of the Music Project last year. Having obtained the compilation, I then discovered I had actually bought more albums since starting the project and they had been omitted because they didn’t show on my list. Frustrated by not having a completely alphabetical list of albums, I’ve now decided it doesn’t really matter and only a few OCD readers will be upset by the out of sequence post that will follow this but I’m sure you’ll forgive me when you hear how awesome From an Ancient Star is.

 

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In a Living Hell – Hey Marsha! [#618]

UnknownIf you lived in South Liverpool during the late 1980s you would have seen posters around the place for local popsters Hey Marsha!. On the back of the emerging Madchester scene, rising youth unemployment, low prospects and the internet not having been invented yet, not to be out done, Liverpool had its own popular music revival scene. Bands like Pyramid Dream, The Stairs, The Farm and Hey Marsha! jostled to be the next Beatles, be discovered and propelled to a life of occasional studio dates, late into the night boozing and drug parties.

Sadly, the horse I backed, Hey Marsha!, split, reformed as The Numbers, split and then went off to become accountants, teachers and office workers at the council, which goes to show I’m never a good judge of good music; John Peel, I’ll never be. Unfortunately, in the days before AOL and Freeserve, the band’s marketing was mostly limited to flyposting, sending advance copies to journalists and use of Probe Studios in Button Street while no doubt leaving their lyrics in the green room and typing out their setlists so that meant they didn’t get the coverage I think they deserved.

In a Living Hell, is a vinyl rip I did a few years back of the band’s EP so you won’t find it in the shops. Sadly, because of this, it’s also not freely available on the internet. Also, when ripping the vinyl I discovered that a cat had been sick all over the record some years previous and I hadn’t noticed as a result the grooves are now clogged and the first track has a massive gap in it.

Instead, here is the only Youtube video I can find of the band’s music from their first release Optimism Flamed. Until writing this entry, I’d never heard the track before, but you can get a great feel for the band’s sound through this track.

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In 3-D – “Weird” Al Yankovic [#617]

Weird_Al_Yankovic_-_In_3-DI used to like Yankovic and his humorous takes on popular music. Sadly I find that these days his lyrics are too full of American pop culture and also I’m not as clued up with popular music these days as I was in my youth.

The most recognisable spoof on this album is his 1984 parody of Michael Jackson’s Beat It but indeed, without the well-observed symbiotic visuals provided by the video, I fear a great deal of the humour is lost, especially with the passage of time. Then I suppose that’s the nature of comedy, once Keystone Cops were rib-ticklingly funny, now they’re simply smiling raising.

In 3D is Yankovic’s second studio album and the fifth in my collection of albums.

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Impossible Princess – Kylie Minogue [#616]

Kylie_Minogue_Impossible_PrincessMrs Gnomepants V1.0 is the keeper of this album of which I have a digital rip. Weirdly, and possibly because of you know “internet downloading”, I appear to have a fusion of two versions of this album: the original 1998 CD rip and the 2003 Special Edition.

Of the two versions, it’s the original I prefer, I’m not sure why producers think remixing things is something people want to hear. I mean imagine someone going into the Louvre and remixing the Mona Lisa the making the remix the only version people could see. There would be uproar!

Impossible Princess is a marked divergence from Minogue’s usual pop princess style and, I think at least, is her best work. She has said of the album that she would never do another like it and it is her least favourite. Also, sadly, exposure wise, it didn’t fair as well as other albums, especially in the UK, as its release coincided with the death of Princess Diana, so was renamed Kylie Minogue and release was delayed until the buzz had died down.

This and Air’s Moon Safari are two albums that define a period where there were a lot of changes in my life every time I hear songs from it, fond memories are invoked of people I’ve not seen in ages and events and activities partook.   It still, even nearly 20 years since its release and about ten years since I last listened to it, sounds amazing.

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Immortal Memory – Lisa Gerrard & Patrick Cassidy [#615]

Immortal_memory_-_gerrard_cassidy_-_front.jpgWhen she’s not wailing away hauntingly with Brendan Perry and the rest of Dead Can Dance, Lisa Gerrard likes to loan her distinctive siren call to other atmospheric music makers like Irish composer Patrick Cassidy (Hannibal {2001} and Salem’s Lot {2004}).

This pretty much sounds no different to any other Lisa Gerrard work and will no doubt appear in cheaply produced tense, moody-broody television dramas and films set in rainy locations and involving despairing situations such as wearing raincoats in Washington DC or the protagonist not being able to tell people about something awful they’ve uncovered because “the man” won’t stand for it.

I think if I really want to feel depressed and out of luck, this is the album I’ll listen to.

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Immaculata – Ion [#614]

ImmaculadaNot one of those CDs that you might find in an incense smelling floaty vagina new age shop in Avebury or Glastonbury but not far off.

Immaculata is the second album of Duncan Patterson’s music project Ion and, if the official Ion website press blurb is to be believed, a result of visiting Greece and Ireland to study musical style. And why wouldn’t you believe that? You can clearly hear the Greecian influences, the Irish influences and also maybe a teeny bit of influence from Lisa Gerrard or Blackmore’s Night.

There are some good sounds on this album and I’m not entirely certain how it ended up in my collection, but I suspect I’ve probably got it from either a royalty-free site like Jamendo while looking for something to use in a video I was making or it was one of the last things I downloaded from Usenet.

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The Images We Get – Sugarplum Fairies [#613]

Unknown-2.jpegThis is the Sugarplum Fairies’ fifth album following Chinese Leftovers and preceding Godspeed & Silver Linings and was the first crowdsourced/funded album I ever contributed to. It features the usual corduroy wearing English Literature teacher allusions and lyrical references as well as the haunting tones of Sylvia Ryder’s vocals.

Every time I listen to SPF I imagine the life of a female English Literature student besotted with and embroiled in a steamy Truffautesque relationship with their older corduroy jacket with leather patches wearing teacher. Lying post-coitally semi-naked on a bed in a smoke-filled wooden panelled windowed room. Copies of classic literature strewn hither and thither. Perhaps, as the album title suggests, that’s the imagery the band want us to get…

 

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Images – Jean Michelle Jarre [#612]

Images - Jean Michel Jarre

Not available in the UK

Having now swapped to the more hard drive friendly Apple Music, when writing entries for the music project, I often try to do research by listening via my iPhone through my car stereo while driving to and from work. This usually works well for the more mainstream bands in the collection but sometimes I’ll have difficulty locating the album on Apple Music because of “Licencing Laws” which I feel is a bit of a bugger because I have the CD!

Images is a “best of” compilation of Jarre’s work. It is the last CD I ever bought from the Virgin Megastore in Liverpool (now the awesome Clas Ohlson) during a 5 for £20 mega sale. Isn’t it a shame that streaming media providers like Apple Music and Amazon don’t do the good old “5 for £20” deals? Instead, they sting you for music you already own. Meh.

Jarre is one of those artists whose music screams 1970s hauntology. In fact, I’d probably hazard a guess at him being an influence on the likes of Belbury Poly, Focus Group and other Ghost Box stalwarts. To me, if it isn’t the expectation of hearing the hum from my father’s stereo’s badly earthed amplifier or the memory of the cassette tape with the picture of the weird skull/bleeding Earth picture on the front, the 1970s is this type of music. The tracks on this album are pretty similar to those on Essential and Aero, indeed, this is just simply a record label’s attempt to cash in on some hapless music nut wanting a bargain in a 5 for £20 deal.

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