Stegzy's Music Project

A commentary on Stegzy's album collection

Inconsolable Secret – Glass Hammer [#633]

TheinconsolablesecretWhenever I hear Glass Hammer, I can’t help imagining a group of prog loving guys getting together to play music they enjoy. They do a few cover versions then decide to do their own stuff. Their own stuff is heavily laden with references to riffs and melodies from the covers they have just played. This makes their sound almost comical and self-referential.

I first heard Glass Hammer on the Odessey concept album, a various artist collaboration retelling the story of Odysseus, in the track In the Court of King Alkinoos and was interested in its similarities to works by Yes and King Crimson. A quick Google resulted in the suggestion that Inconsolable Secret was an album that I’d like.

I didn’t.

There is a little too much twiddly in the album for me. Lots of long keyboard widdling and guitar wankery can be a little too detrimental to the sound of an album. Moreover, the similarities to Yes are a little too obvious. Indeed, Glass Hammer singer Jon Davidson would later go on to replace Jon Anderson in the latest post-Squire incarnation of Yes. Beyond that, there are too many similarities to In the Court of King Alkinoos. Too often I forgot I was listening to Inconsolable Secret and thought iTunes had slipped into Oddessey. Still, it’s an interesting work and I suppose I keep it just incase my music tastes develop later, much like how they did recently with Renaissance and Illusion.

 

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Culture of Ascent – Glass Hammer [#331]

Screen Shot 2015-06-07 at 10.39.54During my brief exploration of new prog, I was led to the door of Glass Hammer and their song At the Court of Alkinoos on the album Odyssey. I liked it. So when I was presented with a few of their albums by my university audiences lecturer, I was pleased to plug in and listen. For a short fleeting moment at least.

Gah. Forced. Strained. Prog. Not good. So aside from a few albums, this being the second in this project, I didn’t pursue Glass Hammer too hard.

The band’s tenth studio album, Culture of Ascent does have one saving grace though, Yes’ Jon Anderson in backing vocals and a cover version of Yes’ Southside of the Sky.

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Chronometree – Glass Hammer [#272]

440px-ChronometreeChronometree – Glass Hammer

Prog. More prog.

Some claim that punk killed prog with a nasty kick in the chuff back in the late 1970s. However it didn’t die, it crawled towards the back of people’s music collections and lay there. Regenerating. Read the rest of this entry »

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