In a Britain in an alternate universe where paganistic villagers performed fertility rites, sacrificed policemen in burning wicker effigies and sang folk songs with hidden paganistic undernotes you can imagine this compilation being enjoyed on PYE stereo systems or in-car Grundig cassette players.
Mental imagery of remote rural areas of the UK like the Pennine ridge of the Yorkshire dales and the Peak district with perhaps lots of woolen sweatered fishermen or farmer types (because why there would be fishermen in the Pennines I have no idea. Holiday perhaps?), busty lusty young Brit Eckland look-a-likes and manbeards worn for warmth rather than style. Burning log fires in remote rural public houses on the moors. Folk musicians holding their ears to keep in tune and the familiar pong of veganism. These are all brought to mind when listening to the British dark folk compilation John Barleycorn Reborn (JBR) (2007).
I had long lusted after JBR since Amazon first suggested it would sit nicely in my music library. Of course, not feeling confident that I would enjoy it because of the number of bands and songs I’d never heard of, I resisted, seeking only to try and obtain it during the great internet download free for all of the mid to late noughties. However, as recently as last year, I found the album on Apple Music together with its brother and followup compilation, John Barleycorn Reborn: Rebirth (2011).
As I took great interest in the neofolk movement that took alternative, mature and adult music to new levels across continental Europe the late noughties, I’m more aware that JBR is purely a British attempt to break into an already dying subculture. Yes we had the hauntology bit on our side (as the likes of Belbury Poly and similar bands from Ghostbox have shown) and we do hauntology well, but the dark/neo folk was becoming old hat and middleaged exgoth hipsters were already starting to reinvent themselves in other ways.
The compiler has put a lot of effort into these albums and, while they ooze hauntology, they stink of the imitation of the earlier neofolk compendium Looking for Europe (2007) which is much richer in diversity. Some strong acts feature especially the likes of Sieben, Sol Invicitus, Far Black Furlong and Martyn Bates while other groups linger, tempting the listener to delve into their own back catalogue while supping a nice warm frothing pint of Badgers Nipple and smoking a pipe.
Track listing for John Barleycord Reborn: Dark Britannica
Listen on Amazon or Apple Music
John Barleycorn 3:56 The Horses Of The Gods
North, County Maid 2:40 The Owl Service
The Wicker Man 2:31 The Story
Spirit of Albion 4:16 Damh the Bard
Twa Corbies 5:14 Mary Jane
Dives and Lazarus 6:30 Andrew King
Three Crowns 5:38 The Triple Tree
To Kills All Kings 5:01 Sol Invictus
Ogham on the Hill 4:04 Sieben
Horn Dance 3:31 Sharron Kraus
Lay Bent To the Bonny Broom 7:55 Charlotte Greig and Johan Asherton
The Burning of Auchindoun 5:44 Pumajaw
The Scryer and the Shewstone 5:07 Peter Ulrich
Where the Hazel Grows 4:31 alphane moon
Hippomania 6:51 English Heretic
Icy Solstice Eye 3:28 Far Black Furlong
John Barleycorn Must Die 4:37 The Anvil
To Make You Stay 2:55 Tinkerscuss
Trial By Bread and Butter 3:37 The Straw Bear Band
The Sorrow of Rimmon 3:56 Electronic Voice Phenomina
Dragonfly 4:21 The Purple Minds of Lazeron
Stained Glass Morning 5:56 Sand Snowman
Summerhouse 5:11 The A Lords
The Guidman’s Ground 4:19 The Kitchen Cynics
PewPew 2:33 Quickthorn
Reed Sodger 4:20 Clive Powell
Child 102 Willie and Earl Richard’s Daughter 7:33 Venereum Arvum
Nottamun Town 6:55 Drohne
Gargoyle 6:16 Stormcrow
Pact 4:21 Doug Peters
Obsidian Blade 5:07 While Angels Watch
John Barleycorn: This Life, Death and Resurrection 4:51 Xenis Emputae Travelling Band
The Resurrection Apprentice 2:31 Martyn Bates
Track listing for John Barleycorn Reborn: Rebirth
Listen on Amazon or Apple Music
The Rolling of the Stones 2:04 Magpiety
All Hallow’s Eve 5:05 Story, The
Wood 4:57 Telling the Bees John
Bonny Jaycock Turner 2:42 David A Jaycock
Oh My Boy, My Bonny Boy 2:30 Yealand Redmayne
The Bold Fisherman 4:36 Charlotte Greig & Johan Asherton
Tierceron 4:00 Steve Tyler
The Wendigo 6:24 Wendigo, The
Wake the Vaulted Echo (Tigon Mi 4:53 Owl Service,
The East Room V 3:33 Far Black Furlong
Brightening Dew 3:10 Xenis Emputae Travelling Band
Corvus Monedula 4:08 Sedayne
Bear Ghost 5:02 Straw Bear Band, The
Scythe To the Grass 3:06 Novemthree
Lavondyss 4:55 Paul Newman
Kingfisher Blue 5:16 James Reid
(Digging the) Midnight Silver 4:18 JefvTaon
Children’s Soul 1:48 Wooden Spoon
A Dream of Fires 3:21 Big Eyes Family Players, The
Improvisation At Kilpeck, June 4:18 Sundog
Ca the Horse, Me Marra 11:17 Clive Powell
Jack In the Green 2:41 Mac Henderson And Grand Union Morris
Seven Sleepers, Seven Sorrows 11:58 Cunnan
The Silkie 3:52 Orchis
Thistles 5:28 Twelve Thousand Days
Harvest Dance 2:31 Novemthree
Elder 3:45 James Reid
When I Was In My Prime 5:07 Mary Jane
Ognor Mi Trovo 3:18 Daughters of Elvin
De Poni Amor a Me 6:17 Misericordia
Child 102 (Lily Flower Mix) 7:54 Venereum Arvum
John Barleycorn Must Live 5:37 Anvil, The
The Old Way 0:45 Sunshine Coding
This is the Sugarplum Fairies’ fifth album following 
It seems almost as if there was an explosion of artists heavily influenced by 
No, I’d never heard of Mary Fahl until I came across this album either. 
In my eyes, Yes’ best but final album. Technically, this isn’t Yes’ final album but it is the last one I bought before Chris Squire’s death in 2015.
Stegzy's Music Project 
The King is Dead – The Decemberists [#658]
by stegzyI recently worked with a guy who bore an uncanny resembelance to Colin Meloy, the lead singer of The Decemberists. He had no idea who Colin Meloy was and, for a young chap, was surprisingly lacking in music knowledge. I’d like to think that me purposefully calling him Colin or Mr Meloy either drove him to hating me outright or that it encouraged him to look into his look-a-like and perhaps on a musical path of self discovery.
That was in 2020, the year of the virus, when the world turned on its head and stability seemed like a memory. Indeed, only a few years previous in 2018, I had gone to Leeds with Mrs Gnomepants to see the band, something I’d really looked forward to, only to come down with a really bad bout of flu on the day. Like “get me to bed now I’m not well at all” bad. I still went to the gig though. It was great fun. But before that I’d really no idea what the Decemberists looked like or sounded like live. But now I know and I’m bloody glad I did go. Their support, Hop-a-long were good too.
The King is Dead is the next album chronologically from Hazards of Love which, if you’ve forgotten or missed it, I talked about here some time back. Look I’m a busy guy you know? I’m fifty next year, I have to work and do actual grown up shit these days so if I fall behind in my various content outputs its not because I don’t care, its because I can never find the time ok? I’d even do this as a podcast if I had someone to do it with me! Anyway, The King is Dead isn’t as catchy as previous Decemberist albums in my opinion. Its odd but the Decemberists sub-reddit (https://www.reddit.com/r/Decemberists/) did a Redditors vote for the best album and I seem to remember this one fareing quite well. Perhaps I’m just not a typical Decemberists fan?
Audibly, this album is very close in style to what Mike Scott’s The Waterboys were trying to achive in the Fisherman’s Blues days. Indeed, you can also detect influences of This is the Sea in previous Decemberist materials come to think of it. Happily though, the Decemberists dont go down the Room to Roam route and still churn out some good albums, which, hopefully we’ll see here when I get to them….
The album is available from
Apple Music
Amazon Music
Youtube Music
and probably Spotty-fi if you’re lasse faire with your data….
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2011 Capitol Decemberists Folk Folk Rock Rough Trade