
We last saw Kristin Hersh on the Music Project back in #326 where we touched briefly on how 4AD’s Uncut cover disk compilation introduced me to her music.
Having had access to Hips and Makers via Mrs Gnomepants V1.0 actual copy of the album, I decided that it wasn’t really for me or at least that I wasn’t ready for the sound or the music. This was back in the early years of 1999-2003 and offers to see her play at various Liverpool venues were politely declined.
By 2007 the Great Internet Download Free-for-All was in full swing in the UK. I obtained a copy of Learn to Sing Like a Star for Mrs Gnomepants V1.0’s “evaluation” and, following a couple of determined listens, there I was – hooked. Here was an artist that could sing, play guitar AND talk to me – in such a way that only really David Galas had done so before or since. I immediately bought a digital version and then scoured the arts pages of the local presses to see where and when her next tour of the UK would bring her into my proximity. It wouldn’t be until 2022 that I’d finally get the chance to see here in “nearby-but-still-a-distance-from-Daventry” Oxford.
A unique vocal sound, a passionate guitar and a tone of “yeah, well what can ya do” . Awesome
Tess Don’t Tell was the first song I ever heard from this, Ivy’s fifth studio album. I forget where it was but suspect that it was on a random “Music you might like” playlist from the earlier days of Last.FM before it was bought by Spotify and ruined. Of course having a band name like Ivy meant having to use hardcore advanced Googlefu so that Ivy, the American band, came up in searches instead of what other monstrosities came up instead.
Often seen as the quintessential gay album of the nineties, I was gifted If You’re Feeling Sinister by old gay pal Gay Jamie who, himself, had obtained it during the Great Internet Download Free-For-All of the mid to late 1990s.
Jarvis Cocker and Sheffield’s finest with an hour and twenty minutes of lyrics illustrating gritty northern GenX premillennial social situations. How times have changed. Yet Pulp is still powerfully relevant and reflective of youthful experiences.
The guitar. Some would say it is a crucial instrument in modern music. “Without guitar” they might say, “All you have is some bloke singing with drums and a keyboard.” Which is true, but as we have already heard with the likes of
Every so often during this music project I come across albums by bands I have heard of but can’t remember for the life of me what their song was that I liked or why I even have them in the collection in the first place.
NME dubbed this “the album that should not exist”. Bloody hipsters.
Animal Joy – Shearwater [#678]
by stegzyIn recent years I have been dependent on “the algorithm” to suggest bands and music I’d like. To be fair Youtube Music and Apple Music do a bloody good job of it. I’m not sure how the algorithm works but I suspect it looks at what you like, looks at what other people who like the music you like listen to, then shoves a whole list of stuff you’ve probably never heard of in your face. This is, of course, dependent on a few things: –
Happily I am not on Spotty Fie for…reasons <insert suspicous monkey gif>…but sadly I only have about 4 friends on Apple Music so sometimes it gets a bit too repetitive (one of my Apple Music friends is really into dark wave so it’s quite nice to get stuff suggested by the algorithm that I might never dare to listen to normally) if you want to add me you can here – https://music.apple.com/profile/stegzy
Anyway, Shearwater is one of the bands that were dangled in front of my ears a couple of years ago. At the time I was trying to be smooth in a typical childless middle aged GenXer way and trying my best to stay relevant to the scenes around me. Quite often the algorithm will throw up stuff based on style or genre and I guess my, at the time, penchant for downbeat psychedelic hipster music was at its peak and so Shearwater surfaced.
I’d originally downloaded their album Jet Plane and Oxbow (2016), after seeing the band play their song Backchannels on the KEXP Youtube channel. I loved their style; tight, percussive and lyrically intelligent. As a result of a few listens Apple Music then threw Dread Sovereign from Animal Joy (2012) at me. Why hadn’t I heard them before? I wondered. Probably because I’d not ticked the right algo boxes.
Tight, haunting and well…just like a sheet of paper with fountain pen written words being inserted into your head. Shearwater are one of those bands I really need to pay more attention to.
Available on Apple Music – https://music.apple.com/gb/album/animal-joy-bonus-track-version/497460455
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2012 Indie Rock Shearwater Sub Pop