Trouble all around, says Chris in this his third album.
This was the second Chris Isaak album I added to my collection and was the first that hadn’t been copied from a friend’s CD onto cassette (Thanks, Mike!) and the first I bought having seen Mr Isaak play at my first gig at the Royal Court in Liverpool.
As a single teenager the angst-ridden lyrics meant something to me. Well they seemed to. As with all Chris Isaak, they are songs about either a woman done me bad, oh noes my drinking buddy has died or hey mrs robinson milf I’m a young and virile chap let’s do the jiggy. Though admittedly, they are mostly about cheating on lovers and are a little whiney.
Isaak’s breakthrough album in Europe, with two albums already under his belt; Chris Isaak and Silvertone, the success of Heart Shaped World and his singles, Blue Hotel and Wicked Game meant that releasing his best of compilation, also called Wicked Game, as the next album was a clever marketing trick. Indeed, as Isaak himself, and his music, started to appear more regularly in films and on TV it wasn’t long before his fan base started to grow in the UK and people stopped asking me “Who?” when I said that I liked Chris Isaak.
Sadly people I spoke to still daubed him with the Country & Western brush instead of the American Rock genre I liked to classify his music as. Indeed, as there was a bit of a wait until his next album San Fransisco Days to show how diverse his music skills were.
The guitar. Some would say it is a crucial instrument in modern music. “Without guitar” they might say, “All you have is some bloke singing with drums and a keyboard.” Which is true, but as we have already heard with the likes of 
In 1995, just when I thought Chris Isaak had given up and gone off to that place where successful musicians disappear to, Isaak released Forever Blue. Nicely timed too, as dramatic changes were taking place in my own life.
Stegzy's Music Project 