Stegzy's Music Project

A commentary on Stegzy's album collection

Grand Theft Auto (Original Soundtrack) [#546] & Grand Theft Auto: London (Original Soundtrack) [#547]

on April 20, 2016

Possibly one of the best, well thought out and inventive game franchises began back in the late nineties with the release of Grand Theft Auto a game noted, not just for it’s violence and adult themes, for its soundtrack.

I spent many late evenings playing the game driving round the fictional cities of San Andreas, Liberty and Vice Cities, with the soundtrack blaring out to the annoyance of any neighbours. I even popped the CD from my Playstation into my CD player and ripped the soundtrack to cassette to listen to while on the bus or on foot. A cassette that joined me later in my car. A cassette I regret making because, as we all know, home taping killed music (and computer games).

Indeed, when I was able to do the same to the soundtrack of the less than successful London themed spin-off, I further damaged the whole industry which, as we now know, is worthless.

While the original game’s soundtrack was inventive with a variety of music genres parodied by the game’s designers with original songs by fictional bands such as Slumpussy’s Gangster Friday and The Ballad of Chapped Lips Calhoon by Sideways Hank O Malley and Alabama Bible Boys , the London spin-off existed as a blend of 60’s pastiches without the same wicked streak of humour. As a result I felt a little let down by the quality and lack of attention to detail that went into the spin-off game.

The London spin-off was to be a harbinger of things to come, the soundtracks for sequels to the game, like San Andrea, GTA IV and V all relied heavily on existing real music by real bands. The humorous sly digs at the music industry lacking saved only by the sly digs at the radio advertising industry.


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