Stegzy's Music Project

A commentary on Stegzy's album collection

In Memoriam (P Henroit 1889-1944) – Les Joyaux de la Princesse [#623]

on April 25, 2018

We’ve seen Les Joyaux de la Princesse (LDJP) on the music project several times before, so by this time we should be aware that yes, they have been associated with some far right philosophies and yes, they have looked at a history that some would prefer to be buried, but we should not bury history for how else can we learn the errors we have made in the past. Moreover, art should know no barrier and we should consider that, for all we know, even the Statue of David or the Mona Lisa may have hidden connotations no longer apparent to modern eyes.

However, readers also should remember that while some music in my collection has been associated with some less than savory organisations and times in history, even the likes of Band Aid and what they stand for are seen as obscene in some parts of the world, but that doesn’t mean that the music isn’t any good and, indeed, while I don’t agree with the politics and allusions made by such artists, I appreciate their work.

In Memoriam is LDJP’s second 2004 release and is a work that examines through noise, recordings and industrial ambience the life of Philippe Henroit, a staunch anti-communist and Nazi sympathiser in Vichy France.

Not knowing this when I obtained it, I enjoyed the music for what it is, atmospheric ambience overlain with recordings of a strong and passionate sounding French speech, a language that I have very little comprehension of beyond playing ping pong in La Rochelle. I suppose in my childlike innocence and ignorance, I am attracted to the haunting voices and sustained industrial music rather than the ideology and symbolism that is lost in aural exposition.

 

 

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