Stegzy's Music Project

A commentary on Stegzy's album collection

Ignis Mutat Res – Lux Interna #607

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Ignis Mutat Res by Lux Interna

Since we last met Lux Interna on the music project with God is Not Dead for the Birds I have had more time on my hands to listen to their other works. During that time I’ve discovered that to enjoy today’s album you will need the following:

 

  • A basic understanding of Latin
  • A bushy hipster beard
  • Rolled up tight leg trousers
  • Braces
  • An ironic beret or bald pate or both
  • A bicycle

During the rise and wane of European neofolk groups would form, usually with a gruff-sounding male vocalist, and, mimicking Dead Can Dance et al, write songs with Latin lyrics or names.

To sound mysterious.

Without realising that Lux Interna was one such band, I had heard, and enjoyed, their track Horizon on the much fabled Looking For Europe Neofolk Compendium. And so, as with most bands that I hear and like the sound of on Various Artist compilations, I tried finding other albums by the band. In doing so I obtained this, their second album, Ignis Mutat Res (aka Fire Changes Matter).

It’s difficult to describe Lux Interna without alluding to other obscure neofolk bands. They certainly have a flavour of Love is Colder than Death and maybe a hint of Ordo Equituum Solis with notes of Changes chucked in for good measure and all wrapped up in a nice Projekt record label cling film. In fact, let’s throw in a bit of influence from Blood Axis or Of the Wand and Moon for good measure.But then I suppose that’s the whole neofolk genre in a nutshell.

Sadly the album itself suffers from a beardy bloke in black with a guitar trying to look and sound mysterious. Horizon is probably the most enjoyable track on the album, the others are a little too….comical…to be taken seriously.

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Hecate – Ordo Equitum Solis [#581]

R-436890-1421008785-2640Further darkwave caterwauling from the Franco-Roman musical union of Ordo Equitum Solis.

It is with this album one is clearly able to distinguish the influences from bands like Dead Can Dance, Miranda Sex Garden and Coil woven throughout the album’s fabric. Like a dusty tome, the album is often difficult to digest in the wrong setting. This isn’t something you might want to accompany you while you do the vacuuming or brass polishing, nor is it the ideal setting for a children’s eighth birthday party unless, of course, you are fostering future gothlings. Instead, this is the kind of album you’d probably want to burn some incense sticks with while donning one’s floaty hooded gown following a healthy manicure for those extra long nails of yours and drinking large amounts of dark red wine while lasciviously doing the dance from Kate Bush’s music video for Wuthering Heights.

The album is split into at least four sections, an introduction, Songs of the Man, Songs of the Fool and a coda which kind of suggests to an old Prog fan like me, that this work should be listened to in its entirety with attention paid to the liner notes or the song titles. Sadly, I don’t have any liner notes. All I have is song titles and from them, I conjure up mental imagery of sordid sexiness of the hooded variety in vaulted cellars filled with wine and incense smoke. Which probably says a lot about my own psychology than anything else…

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