Stegzy's Music Project

A commentary on Stegzy's album collection

Ignis Mutat Res – Lux Interna #607

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Ignis Mutat Res by Lux Interna

Since we last met Lux Interna on the music project with God is Not Dead for the Birds I have had more time on my hands to listen to their other works. During that time I’ve discovered that to enjoy today’s album you will need the following:

 

  • A basic understanding of Latin
  • A bushy hipster beard
  • Rolled up tight leg trousers
  • Braces
  • An ironic beret or bald pate or both
  • A bicycle

During the rise and wane of European neofolk groups would form, usually with a gruff-sounding male vocalist, and, mimicking Dead Can Dance et al, write songs with Latin lyrics or names.

To sound mysterious.

Without realising that Lux Interna was one such band, I had heard, and enjoyed, their track Horizon on the much fabled Looking For Europe Neofolk Compendium. And so, as with most bands that I hear and like the sound of on Various Artist compilations, I tried finding other albums by the band. In doing so I obtained this, their second album, Ignis Mutat Res (aka Fire Changes Matter).

It’s difficult to describe Lux Interna without alluding to other obscure neofolk bands. They certainly have a flavour of Love is Colder than Death and maybe a hint of Ordo Equituum Solis with notes of Changes chucked in for good measure and all wrapped up in a nice Projekt record label cling film. In fact, let’s throw in a bit of influence from Blood Axis or Of the Wand and Moon for good measure.But then I suppose that’s the whole neofolk genre in a nutshell.

Sadly the album itself suffers from a beardy bloke in black with a guitar trying to look and sound mysterious. Horizon is probably the most enjoyable track on the album, the others are a little too….comical…to be taken seriously.

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I Like to Score – Moby #602

Moby_I_Like_to_Score

I Like to Score – Moby

Coffee table hipster music nineties style from everyone’s favourite baldy hipster nineties musician Moby. This is the album that everyone bought after he released Play in an effort to seem more culturally independent amongst their fellow Saturday Guardian supplement reading proto-hipsters by showing ownership of his previously released albums.

 

Comprising of a selection of Moby’s music written for film, I Like To Score does feature some good tunes including First Cool Hive from Scream, Ah-Ah from Cool World and his take on the James Bond theme as used in Tomorrow Never Dies. 

As I’ve said before, even though I have a few Moby albums, I’m not a massive Moby fan. But it’s difficult to have been an adult in the nineties/noughties without having some Moby in your music collection. As I’ve also said, I’ve tried to like Moby, but I really do struggle.

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Between Darkness and Wonder – Lamb (#179)

Between Darkness and Wonder - LambBetween Darkness and Wonder – Lamb

Hipster friends are always telling me I should like Lamb. I usually retort with some predictable comment about enjoying dinners on a Sunday with mint sauce or kebabs from the chip shop on the way home.

This album was an attempt to “like” Lamb. I tried. I gave them a go. Really. When I mentioned that I had tried Lamb in the form of Between Darkness and Wonder, predictably the Hipster said “Yeah but it’s not their best album”.

Thing is, it never is.

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