I missed Donnie Darko on the cinema. First time I knew of its existence was when I saw it on the shelf in the Rialto News video library on Upper Parliament Street looking unloved.
Watching the film had me transfixed in a way a film hadn’t had me transfixed since Lost Highway. Here was a film that was so intricate that one viewing would not suffice. Several viewings would be needed and so, as it should be, I nipped into HMV and treated myself to a copy of the film on DVD. I went round telling people that this film was one they should watch and digest, a suggestion that was met with the usual dismissive shrug.
Since then, the film had an almost viral spread. Months would pass and the people I suggested the film to would say to me “Hey, have you ever seen Donnie Darko?” excited by the prospect that they may have seen something enlightening that would appeal to me before me. Then people started talking about it in the mainstream press, on the mainstream television, even a song from the soundtrack, the Michael Andrews version of Tears for Fears’ Mad World reached number 1 in the UK.
The film, previously a slightly unknown cult movie, was rereleased to capitalise on its growing success with a Director’s cut. Unfortunately, the directors cut didn’t add anything to the original apart from time. In fact it watered the content down if anything. Made it easier to digest and over explained bits that didn’t need explaining. Then there was the sequel, S.Darko but we don’t talk about that. In fact, let’s not even admit to it existing…
Still, like all good capitalists the owners of the film rights released an extended version of the soundtrack too and today’s album is that very same. The soundtrack features a number of popular contemporary songs from the time in which the film is set interwoven with nice hauntological piano led intermissions. The original soundtrack release featured less of the plinky plonky and focussed more on the atmospherics and contemporary sounds than this version. Still good though.
http://www.youtube.com/watch?v=ZZyGDiUnta4
Ipcress File – John Barry [#642]
by stegzyThe Ipcress File is pretty much how James Bond would be if he was real. Lots of form filling, shit salary and offices that have seen better days. The film follows the adventure of Michael Caine’s Harry Palmer character who is caught up in a bit of cold war era espionage involving the reprogramming of prominent scientists through sinister mind washing techniques employed by Soviet-era bad guys. There are more twists, turns and double-crosses in this film than a box of headphone cables.
The iconic music, also a diamond musically, has been sampled to death over the years by bands like Portishead and makes heavy and distinctive use of an instrument known as a Cimbalom.
The soundtrack was one of the first albums I bought through the new iTunes store back in the noughties. However, as I didn’t have a portable device capable of playing Apple’s proprietary music files, I could only listen when at my computer. This was, of course, in the time when computers where huge things that sat on your desk and not the candy bar sized multimedia devices of today. But when you see the film and the size of computers in 1965, you’ll be grateful you don’t have to cart one of those around if you want to make a phone call.
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1965 John Barry Soundtracks