Stegzy's Music Project

A commentary on Stegzy's album collection

Close to the Edge – Yes [#281]

on March 26, 2015

Screen Shot 2015-03-14 at 13.35.18Close to the Edge – Yes

The first time I heard this album I was blown away. I had it on cassette so I was able to play it wherever I wanted on my Walkman or on my portable hi-fi. One place I played it was on top of a windy rainy mountain in Wales, miles from anywhere significant. It is there where I am transported when I hear this album.

Stuck up a mountain. In the wind and rain. Rain pattering onto my hood. Snug and warm in my coat. Listening to this album overlooking fields of sheep watching the rain clouds drift in from the Irish Sea. Getting back to nature.

Years later I discovered that the album was recorded in a studio where the band had requested a more “rural” feel. Cue plastic cows, sheep pens and straw being strewn across the floor; Steve Howe stood on his carpet, Rick Wakeman with his cup of tea and Jon Anderson with his tambourine. Prog madness. Prog. No music like it.

Close to the Edge comes in with 3 tracks. Not many to the uninitiated, but with track one coming in at just under 20 minutes long and tracks two and three together the same, it’s easy to see why prog is such a good showcase for talent. Think of recent popular music. The likes of Gaga and her ilk with wishy-washy 3 minute jobbies. Trash. It’s like Twitter versus the blogosphere.

Close to the Edge is Yes’ fifth studio album and last with Bill Bruford (until Union at least). A rich tapestry of musical talent surpassed only by their next  studio album, Tales from Topographic Oceans.

 

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