The New Weird America (NWA) genre is relatively new to me following being introduced to the wonders of Marissa Nadler by a hipster friend of mine.
It’s easy to trace the allure of NWA from the likes of shoe gazing acts such as Mazzy Star and Talula Gosh to the more recent folksyisation of the shoe gazing genre by the likes of First Aid Kit and the weirding out of the sound by acts like Joanna Newsome. So it is no surprise, with all such acts appearing in the music project, that acts falling into the pigeon hole of NWA would appear too.
Mariee Sioux uses native American Indian influences to present her own unusual hauntological soundscape of wistful longing and sorrow, garnished with nature and laced with bitter resentment for wrongs committed by humans against humans, atypical of psychedelic folk.
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