Stegzy's Music Project

A commentary on Stegzy's album collection

Dresden Dolls – Dresden Dolls [#396]

The_Dresden_Dolls_-_The_Dresden_DollsSome time ago I was working in a help desk for a major university in the UK. It was at a time when software and media piracy was looked upon with the same fondness one might have for free toys in boxes of cereal. With that attitude and super fast internet, some of the computers in the main help desk became literal media suckers by day, downloading all manner of treats.

Often partial downloads would be left in folders on the computers on the main desk. These folders would be digital gold mines of interesting music and films.

One day I found a folder containing several music files. Some of the files were of the Ditty Bops, others were the Decemberists but the ones that struck a chord for me were those featuring the Dresden Dolls. Now we’ve met the Dresden Dolls on the music project before but in their constituent parts; Brian Viglione (who also played with Rasputina, Black Tape For a Blue Girl and Revue Noir) and Amanda Palmer. This is their first album. The one they released before everyone went Amanda Palmer cray-cray and reimagined themselves as hipsters.

I’m particularly fond of the Dresden Dolls, though not so much their solo works. I really like their quirkiness and how they’re like some naughty anti-christ version of the White Stripes.  We’ll see more of the Dresden Dolls later in the music project, so as it was an introductory album for me, here is an introduction for you, dear reader, if you have been living under some sort of hipster rock for the past ten years or so…

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Album #65 – Amanda Palmer Goes Down Under – Amanda Palmer

Screen Shot 2014-06-03 at 13.36.42Amanda Palmer Goes Down Under – Amanda Palmer

Amanda Palmer, formerly Dresden Dolls, strums her stuff in antipodean climes. A clear difference from previous works under the name of Dresden Dolls but still an unmistakable sound.

Palmer is totally independent. She produces her own records, writes her own songs and markets herself through whatever medium she is able to. The record companies that tried to make her censor her body are probably spitting globules of regret like baked beans.

Angry lyrics interwoven by sleek musical passages and accompaniment, APGDU is a nice intro to Palmers work if you like your introductions live and hairy. There are no “greatest hit” tracks on the album nor are there any rehashes of studio stuff. Enjoyable.


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