Stegzy's Music Project

A commentary on Stegzy's album collection

Impossible Princess – Kylie Minogue [#616]

Kylie_Minogue_Impossible_PrincessMrs Gnomepants V1.0 is the keeper of this album of which I have a digital rip. Weirdly, and possibly because of you know “internet downloading”, I appear to have a fusion of two versions of this album: the original 1998 CD rip and the 2003 Special Edition.

Of the two versions, it’s the original I prefer, I’m not sure why producers think remixing things is something people want to hear. I mean imagine someone going into the Louvre and remixing the Mona Lisa the making the remix the only version people could see. There would be uproar!

Impossible Princess is a marked divergence from Minogue’s usual pop princess style and, I think at least, is her best work. She has said of the album that she would never do another like it and it is her least favourite. Also, sadly, exposure wise, it didn’t fair as well as other albums, especially in the UK, as its release coincided with the death of Princess Diana, so was renamed Kylie Minogue and release was delayed until the buzz had died down.

This and Air’s Moon Safari are two albums that define a period where there were a lot of changes in my life every time I hear songs from it, fond memories are invoked of people I’ve not seen in ages and events and activities partook.   It still, even nearly 20 years since its release and about ten years since I last listened to it, sounds amazing.

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Hit Factory: Pete Waterman’s Greatest Hits – Various Artists [#587]

Screen Shot 2017-06-10 at 11.33.40.pngBack in the eighties and nineties, when he wasn’t that wrinkly dude off the talentless shows on a Saturday night, Pete Waterman was a successful record producer. Polluting the airwaves with hideous plastic pop.

Of course, growing up in the eighties meant that hideous plastic pop was de rigour and many of the songs played at family occasions and parties came from the Hit Factory stable. It is difficult to not listen to examples of this music without being transported back in time thirty years to a wedding or school disco, where teenage hormones raged and lessons in social interaction began.

Hit Factory features artists such as Kylie Minogue, Jason Donovan, Mel & Kim, Steps and 2Unlimited. It is truely dreadful. And yet, I believe that everyone’s record collection should contain at least one example of youthfully contemporaneous music. That way our memories persist and from our memories, we learn and develop.  Indeed, many of the artists featured have either returned to obscurity or seen sense and improved without the Stock Aitkin Waterman interference in their art.

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