When this album was released back in 2000, the internet as we know it today was still in its fledgeling state. Websites were mostly created and owned by actual people rather than by corporations and users actually had to seek out their news rather than have it shown to them if an algorithm deigned to do so. As a result, I was only aware it had been released because I saw it while I was browsing the CD racks in HMV.
Of course, with it being a Live/Best of compilation and I already had most of the songs Live or in compilations, I was reluctant to part with hard earned cash for stuff I already had and instead bought something a little more desirable like Air’s Moon Safari or whatever else was about in those days. However sometime later, probably during the Great Internet Download Free-for-All of the early noughties, I was given a copy of the album by a work colleague and so it joined my collection.
House of Yes is a live double album featuring music from Yes’ earlier career and their album The Ladder. It also features Billy Sherwood on guitar and Igor Khoroshev on keyboards, Sherwood left shortly before the album’s release and Khoroshev had already been booted out of the band by that time due to a sexual harassment controversy.
I can’t say that I don’t like this compilation. There are some good performances on the album the enjoyment of which can be enhanced by the viewing of the DVD of the gig.
Bryan Ferry and chums sleaze their way through an hour and 8 minutes of live music recorded in Frejus, France, 1982.
As we finally come out of the (reduced) gothic compilation portion of the project, we see the peaks of “Greatest Hits” ahead of us but until then there are a few more albums we need to visit.
Seen by many as Water’s two fingered salute to the band that still to this day makes him a pretty packet of royalties, Goodbye Mr Pink Floyd is a live bootleg concert compilation album recorded in Canada in 1987.
While, Pierre Moerlen’s Gong were churning out jazzy numbers and being all “normal” and long after teapots were flown about by pixies and Zero the Hero’s head floated up the vagina of a witch, Daevid Allen and chums had a bit of a break and entered a period of releasing “best of” compilations, live gig recordings and other such lazy productions.
More neoclassical caterwauling from Brendan Perry with added woeful wailing from Lisa Gerrard in this compilation of bootlegged performances from across Dead Can Dance’s “Golden Age”.
Way back in the early days of internet and Windows Millenium, I obtained a compilation CD from an innovative music website known as Peoplesound. The idea behind Peoplesound was years ahead of its time, crowd funded/supported bands could sell their EPs, demos and albums via the site and hipsters everywhere could potentially discover artists years before anyone else. I claim that privilege with Mull Historical Society and
Scandinavian rock valkyries again, this time with a live set featuring Nightwish’s pre-breakup line-up and Tarja Turunen.
Bootlegs bootlegs bootlegs. They killed live music you know.
More brooding beats from the cadaverous cowboys that are Fields of the Nephilim taken from the soundtrack of their video release Forever Remain.




Jarre spreads European culture and music technology to the exotic Far East by playing gigs in Beijing and Shanghai then brings back a little bit of Chinese culture and musical influence to the West.


Ceromonies: Ad Mortem Ad Vitam – Fields of the Nephilim
Cats and Mice – Kristin Hersh
Bursting Out – Jethro Tull
Interstellar Encore – Pink Floyd [#636]
by stegzyOf course, back then, the tagging of MP3s was in its infancy and some people used to just dump a load of MP3s into a folder of a CD with no organisation and pass it around like a spliff at a hippy party. Carefully written sleeve inserts would get mixed up and any questions about which MP3 belonged to which album quite often resulted in snorts of derision.
So, as a result of how it happened, my version of Interstellar Encore might differ from 99% of the people out there with the actual Interstellar Encore bootleg although on research the track listing does seem to match up. But, such is the nature of illicit downloads and bootlegs; only a true fan would tell you whether it was actually the Filmrore West Interstellar Encore version of Embryo that I have or if it was the Biding My Time in Croydon version.
Like I care.
Incidentally, if you’re still enjoying this music project, I would appreciate a little publicity. One thing that fires me up when doing this project is knowing I have a readership. While it’s not exactly interactive like say The Existential Compost, The Compostual Existentialist or u/stegzy on Reddit, a look at the (very basic) site stats shows me that I do have some visitors, but having more keeps my typing fingers itching!
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