Since rediscovering this in my collection, I have listened to it nearly every day since. It’s curious how the modern way seems to be more playlist orientated than album driven. As an exercise, I listened to the first album, Renaissance, this album, Illusion, and the following three albums, Prologue, Ashes are Burning and Turn of the Cards, in effect the first 5 albums by the band, to see if I could pinpoint something groundbreaking. I couldn’t but it was fun. But this Renaissance exercise has shown me how important music appreciation skills are in the full enjoyment of music by artists and appreciation of how sound develops over time.
As per Illusion by Illusion, I had mostly ignored this album, frightened by what stylistic differences that might exist to affect my enjoyment of core 1973-1978 era Renaissance. However, in true form, I found pre-Haslam Renaissance much more enjoyable. Indeed, it was clear that the style only seemed to change once the Dunford/Haslam crew stopped recycling work by the original band members and focused on their own style.
Illusion is the second album by the first incarnation of Renaissance that would later become Illusion and Stairway. It features the first song to include a member of the second incarnation, Michael Dunford, Mr Pine, which also features a melody that would later resurface in the fifth, and third with the new lineup, album Turn of the Cards.
To add further twists the album was released in Germany in 1971, then again to the wider world in 1973 but not in the UK until 1977.
Finally, as a footnote, the video that accompanies today’s entry features Binky Cullom in the female vocal lead. Binky was a transitional member between Relf and Haslam. Sadly Binky doesn’t really seem to have the steadiness of Relf or Haslam, but I thought it would be fun to include it here.
Confused? Think about how the band felt!
https://www.youtube.com/watch?v=cvDXhEZvKyA
and for those whose ears are now bleeding, here is the salve.
Dave 
Can came into my life in the early noughties when a colleague gave me a copy of their Tago Mago album. I was suitably impressed but more of that when we get to T. Future Days features more chilled out Can rhythms melded with Susuki’s bizarre mumblings and Michael Karoli’s stand out lone-guitar performance. Kind of like lounge avant garde.
Roxy Music’s second studio album brought to me by a hard drive dump from a former work colleague.
Dave Allen, Steve Hillage and friends float about in a gnome filled teapot with some pot head pixies and a witch.
Angel’s Egg – Gong (1973)
Stegzy's Music Project 