Halo Star is the ninth studio album by the band Black Tape for a Blue Girl.
We’ve seen BTBG on the music project a couple of times before, most notably with their tenth album 10 Neurotics. As 10 Neurotics was my first experience of BTBG album and their most recent, the earlier Halo Star is difficult to adapt to, especially as I’ve not really given it that much play time. That’s not to say I don’t like it, I just guess that having eaten the cherry on the cake, the icing and sponge is one meal too much.
Lo-fi brother and sister double act Meg and Jack White’s White Stripes’ fifth studio album.
By this stage of their career, the main stream successes of previous albums such as Elephant and White Blood Cells had started to wane. Get Behind Me Satan reeks of a late night dash home to hurriedly try to recreate something that has previously taken time and care to produce.
I liked White Blood Cellshaving been introduced to the band through one of Joel Veitch’s early animations on B3ta.com and I was fairly fond of Elephant even though Former-Mrs-Gnomepants played it to death. But something was missing by the time Get Behind Me came along. Mass production does something to quality regardless of what people say. Please don’t misunderstand me, the White Stripes quality and vibe is still there, it’s just not as honed as the previous albums. Maybe it’s the little flecks of glitter that have fallen off or maybe it’s like when an amateur athlete gets close to their goal and the cramps kick in.
Indeed, by their next album, Icky Thump, I’d given up. And so, it seems, did Meg.
At this point, anyone who knows me personally will no doubt be thinking “Hang on, Dance/Trip hop? Isn’t Stegzy a hairy die hard Prog fan?”. Indeed, but sometimes, with every record collection, you find a “loved genre” busting album or band. Faithless are one of those bands.
Please don’t think I’ve gone and burnt my Yes t-shirt or thrown out my Roger Dean posters, far from it. I liked a couple of songs by Faithless. Happy cheery dance numbers with a dark and foreboding political message for the youth of the day, which, no doubt, was lost on many. I liked those songs sufficiently to try a few of Faithless’ other albums, this one and Back to Mine.
I left it there. My two favourite songs appeared on the album, Insomnia and Mass Destruction but the other songs were a little bit too beyond my cultural tastes. While similar to Massive Attack in some respects, the later dance tracks take me out of my cultural safety zone. A prime example of when getting a greatest hits album will give you a good idea of whether or not you’ll like a band’s other works too.