Stegzy's Music Project

A commentary on Stegzy's album collection

All Hours – Ivy [#674]

Like a breath of expensive air whispering in your ear American popsters Ivy’s 2011 album appeared in my library after I was eventually able to locate some of the bands work through the wonders of Apple Music.

See bands with un-googleable names like John Smith, Fridge, Albatross or Jam Roly Poly will only end up not reaching fans who live outside their popular frame. When I search Ivy on google, because it thinks I’m not interested in mostly unknown in the UK American artists, so instead I get pictures of the plant or reddit posts about a character from Batman or manga or somesuch rubbish. Such is the algorithm.

But then, with Apple Music, because it can see you have some of their other works, it goes “Here! Here are some other albums by the band. Maybe you might like to listen to them?” and I get happy. And I listen. And the whispering begins.

Of course, the band being virtually unknown in the UK means that I was unaware they had been on a hiatus since In The Clear , returning with this album. I was also unaware about the turbulence within the band that resulted in this being the last album for the band with this line up.

From it’s formation in 1994 when Andy Chase and Adam Schlesinger met singer Dominique Durand, to the first album release Realistic in 1995 with Apartment Life following in 1997. The band developed a very distinctive sound – a rich blend of husky French accents and dream-pop beats that brought the band right through to the glorious Long Distance (2000) and Guestroom (2002) years. By In the Clear (2005) they had begun to reach new shores, of course, this is when I found them and added them to my library but internal stresses and strains, the desire to develop side projects and a lack of promotion overseas meant they would fail to reach their potential audiences.

Their return in 2011 with All Hours was meant to be the cure for this malaise. The band really put their soul into the new songs, bringing the influences grown from their time apart into a beautiful blend of sound with catchy lyrics and, as I said, that distinctive feeling that something very expensive had whispered sexy things next to your ears. ASMR. But better.

Sadly the band split as conflicts grew under stress – Schlesinger and Chase’s studios were under financial pressure, the tour to promote the album didnt happen and basically Durand was left piggy in the middle trying to mediate. However, they did reconcile their differences and by February 2020, they where already back in discussions about making another album – until COVID19 claimed Schlesinger. Their most recent album Traces of You (2025) a clear tribute to the guy.

Fascinated by Ivy

Sources:

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The Images We Get – Sugarplum Fairies [#613]

Unknown-2.jpegThis is the Sugarplum Fairies’ fifth album following Chinese Leftovers and preceding Godspeed & Silver Linings and was the first crowdsourced/funded album I ever contributed to. It features the usual corduroy wearing English Literature teacher allusions and lyrical references as well as the haunting tones of Sylvia Ryder’s vocals.

Every time I listen to SPF I imagine the life of a female English Literature student besotted with and embroiled in a steamy Truffautesque relationship with their older corduroy jacket with leather patches wearing teacher. Lying post-coitally semi-naked on a bed in a smoke-filled wooden panelled windowed room. Copies of classic literature strewn hither and thither. Perhaps, as the album title suggests, that’s the imagery the band want us to get…

 

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Ghosts of California – David Galas [#521]

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I love every second of this album and, as my wife will testify, I must have listened to something from it every day since I bought it in 2011. This is David Galas’ third solo outing, which, in my opinion, is probably his finest.

The dark brooding of Galas’ first solo album The Catacylsm has matured in the moody bath of The Happiest Days of My Life (his second) and emerged as a dark and haunting anthemic opus.

While The Happiest Days of My Life was initially a little hard to ingest I took well to Ghosts. From the opening gambit (a recording of air traffic controllers during 9/11 segueing into the atmospheric Sect VIII) to an acoustic version of The Last Days of War my favourite track from The Happiest Days of My Life, every second has been carefully thought out and produced to an excellent standard.

My only regret is that this album hasn’t had the recognition it deserves.  Few of my friends have heard it, even fewer care, and yet I do truly believe that despite all my attempts to encourage others to listen to it, if they really gave it a try, they too might get the same enjoyment as I did. I just hope that through this Music Project I might encourage a few others.

 

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