Another victim of digital music proliferation and the great music heist of 2000. Los Angeles band Sugarplum Fairies’ final effort, SPF21 Altar Songs 1998-2021, released before Benny and Sylvia went their separate ways. Like a sad public divorce – the passion is there but the spark…just doing the motions.
The band was my most favourite discovery from Peoplesound – Sugarplum Fairies – sadly disbanding in 2021 but reforming later sans Ben Bohm – Silvia continued but the sound had changed, as to be expected. I’m not entirely sure what Altar Songs is supposed to be. There are remixes and reproductions of old classic songs and songs I’m not entirely familiar with but Apple Music classifies it as a compilation album so I’ll go with that.
Sure the compilation gives a good scope of what the band’s original sound was like and the direction they were heading but as an entry point, I’d still go for Flake which was their first album, especially if it’s dreamy college folk you’re after with songs about unhealthy relationships with college English professors and drug addiction.
It pains me to listen to this album knowing how they once were. They were just getting airtime, songs were appearing in soundtracks for TV shows and occasionally little mentions of them would appear across web media. All very very sad.
Available on Apple Music/Itunes – https://music.apple.com/gb/album/altar-songs-1998-2021/1696617516

The second album from Sugarplum Fairies, a band I discovered on 

This is the Sugarplum Fairies’ fifth album following
This is the penultimate album from Benny and Sylvia’s Sugarplum Fairies (SPF).
Right back in the days of Windows Millennium, I was given a CD with a stack of music on it in a new exciting format; MP3. The music was from new and exciting bands, most of which were unsigned and were using the new technology of the Internet to get themselves known. They did this by using a publisher known as Peoplesound. One of the artists appearing on this compilation was Sugarplum Fairies. I immediately fell for their low-fi sound which, at the time, was new, innovative and yet to be copied by the likes of
Benny Bohm and Sylvia Ryder from sunny Los Angeles do their stuff again. We’ve met 
