Stegzy's Music Project

A commentary on Stegzy's album collection

All Hours – Ivy [#674]

Like a breath of expensive air whispering in your ear American popsters Ivy’s 2011 album appeared in my library after I was eventually able to locate some of the bands work through the wonders of Apple Music.

See bands with un-googleable names like John Smith, Fridge, Albatross or Jam Roly Poly will only end up not reaching fans who live outside their popular frame. When I search Ivy on google, because it thinks I’m not interested in mostly unknown in the UK American artists, so instead I get pictures of the plant or reddit posts about a character from Batman or manga or somesuch rubbish. Such is the algorithm.

But then, with Apple Music, because it can see you have some of their other works, it goes “Here! Here are some other albums by the band. Maybe you might like to listen to them?” and I get happy. And I listen. And the whispering begins.

Of course, the band being virtually unknown in the UK means that I was unaware they had been on a hiatus since In The Clear , returning with this album. I was also unaware about the turbulence within the band that resulted in this being the last album for the band with this line up.

From it’s formation in 1994 when Andy Chase and Adam Schlesinger met singer Dominique Durand, to the first album release Realistic in 1995 with Apartment Life following in 1997. The band developed a very distinctive sound – a rich blend of husky French accents and dream-pop beats that brought the band right through to the glorious Long Distance (2000) and Guestroom (2002) years. By In the Clear (2005) they had begun to reach new shores, of course, this is when I found them and added them to my library but internal stresses and strains, the desire to develop side projects and a lack of promotion overseas meant they would fail to reach their potential audiences.

Their return in 2011 with All Hours was meant to be the cure for this malaise. The band really put their soul into the new songs, bringing the influences grown from their time apart into a beautiful blend of sound with catchy lyrics and, as I said, that distinctive feeling that something very expensive had whispered sexy things next to your ears. ASMR. But better.

Sadly the band split as conflicts grew under stress – Schlesinger and Chase’s studios were under financial pressure, the tour to promote the album didnt happen and basically Durand was left piggy in the middle trying to mediate. However, they did reconcile their differences and by February 2020, they where already back in discussions about making another album – until COVID19 claimed Schlesinger. Their most recent album Traces of You (2025) a clear tribute to the guy.

Fascinated by Ivy

Sources:

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Afflatus – The Polyphonic Spree[#671]

So something bollocks happened between the last entry and this one. I had been mooching about on my PC exploring a box of old hard drives I had come across which contained quite a lot of music that had, for what ever reason known only to Apple Music, removed itself from my Apple Music Library. I copied some of what I found into my iTunes – album by album – before I got bored and tried to move several at once.

Bad mistake.

In doing so, iTunes decided to rejig my library, import folders from my usual drives that I had excluded and retag around about 100 albums to be under the tags VARIOUS ARTISTS and the album GOTHIC EROTICA .

Great.

I rage quit and did not dare look at my PC’s iTunes library again for several months until such time as I had completely forgotten what I’d done, logged back in and knackered up my library even more.

Even then it took me the best part of a year to get back to some normality. In the process of re-tagging well over 1000 tracks I started to notice I had albums I had no idea that I had – moreover albums I’d never even heard of before. One such album was Afflatus by The Polyphonic Spree

Afflatus was released in 2021 which kind of indicates to me that this isn’t one I’d downloaded back in the grand old days of YoHoHoery. I can only assume that Apple Music added it out of generosity – something I’ve noticed has happened a fair bit since the great Tagging Disaster of 2025. Never the less, the album is in the library so it must be included in the music project.

The album comprises of 10 tracks – all slightly jollified Spreesque cover versions of songs such as the Bee Gee’s Could It Be Magic and Rush’s Spirit of Radio. I’m not certain if it’s because the moment of cheesy tambourine clapping uplifting music has passed, much in the same way that long haired hippy “we’re all entering a new spiritual age” 1960s music did by the 1980s or if its just a terrible album – but Afflatus really does set the cringe glands on edge.

I don’t know, to me it just feels like the band lost a little “something” after Fragile Army but I can’t really put my finger – or ear – on it.


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