Stegzy's Music Project

A commentary on Stegzy's album collection

Hormonally Yours – Shakespear’s Sister [#590]

ShakespearsSisterHormonallyYoursalbumcoverIn a time when many still missed the polka dot skirted weirdness of Strawberry Switchblade and were adjusting to the gothness of Robert Smith’s Cure while still enjoying on the sly, a little bit of Bananarama, along came a duo of musicians as if to answer that call.

Shakespear’s Sister, that band with the woman from Bananarama (Siobhan Fahey) and that scary looking American woman looking like a cross between Cruella De Ville and Elvira, Mistress of the Dark  (Marcella Detroit), last appeared on this Music Project at #172 with their “best of” compilation, which, as the band had only released about two albums anyway, pretty features the songs of this their second album.

Highlights from this album include their two “hits” I Don’t Care and Stay With Me. As a spotty youth when this album was doing the rounds, I was drawn to the catchiness of their music which helped me blend in with my contemporaries, but I was still at a stage where I didn’t feel safe stepping out of my musical comfort zone of Yes, The Tubes and Chris Isaak  so I never bought the album at the time of release. Indeed, it wasn’t until much later that I plucked up the courage to obtain this album and their “Best of” an action, I suppose, that was done purely out of nostalgia.

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Gold: Greatest Hits – Abba [#535]

ABBA_Gold_coverMy music collection and thus Stegzy’s Music Project has more gold than Fort Knox it seems. This time it’s Swedish gold from seventies/eighties pop gods, Abba.

If you’ve been following the project for some time, or maybe had a late night discussion with me over a few pints, you’ll already know of my feelings about Abba and how I hold them in higher regard than to the Beatles for their contribution to world music and our musical development. A sentiment backed increasingly by other self important gobshites on  recent documentaries shown on the BBC.

Abba’s Gold is a true treasure trove of songs, most of which we’ve already heard on similar “best of” albums such as 25 Jaar Na “Waterloo” and will hear again on Thank You for The Music. Thing is, when you’re a band that solely relies on the resale of your own music through the proliferation of Greatest Hits, Best ofs and similar albums, you run the risk that future generations will not buy your other albums because they’ve “already got 90% of that album now already”.

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Glittering Prize: 81/92 – Simple Minds [#526]

Glitteringprize8192It’s 1992. School has finished. University has begun. Trudging the city streets of a rain soaked Sheffield is a tall fair haired male with a Sony Walkman. On the Walkman is a copy of this album.

That man was me.I’d embarked on a new phase of life. University. And with university as a young 19 year old male came new people, new experiences and, best of all, new music. Because, of course, a new phase in a new city meant new shops. Shops that didn’t feature in Liverpool. Or if they did, not on the scale they did in Sheffield or the Meadowhall.

And there, on Fargate, opening to much fanfare and huzzah, a Virgin Megastore, the size of which I’d not seen before; within, a selection of cassettes as broad and as vast as the selection of pastries in Greggs the Bakers.

I bought Glittering Prize:81/92 on cassette from the Virgin Megastore on Fargate, Sheffield using an opening day discount voucher given to me at the student union during Freshers week. So began many years of listening. I still have the cassette, granted with nothing to play it on, but it is still in my belonging.

As “best of” compilations go, this was an excellent introduction to the band for me. Of course I was already familiar with the band having heard their work on the radio while I was growing up, but there were a number of songs I was unfamiliar with. Later investigations into other Simple Minds works proved to me that this album was probably the best choice to listen to the band as a beginner. Other albums were difficult to digest and I never really explored beyond Glittering Prize.

However, considering the number of times I’ve listened to the album over the years, it has fallen relatively out of aural favour since obtaining it on MP3 in 2009. Yet everytime I hear a song from it, I’m there, in nineties Sheffield, walking around the ruins of an ancient cutlery empire on my way into town or into University.

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Doppelgänger – Curve [#387]

Curve_Doppelganger_CoverWhat we have probably learnt from the music project so far is three fold:

  1. I have a lot of music that is rubbish
  2. I have a lot of music that I “should” like
  3. There is a lot of music that I came late to.

This album highlights the third point.

I came to Curve quite late. I’d never heard of them before 2004 but apparently they had been around for many years. Formed in 1990, the band falls under the Shoegazing, dream pop, alternative rock genres.

It’s the unique sound of Curve I like. The haunting ghostly etheric singing with the wide echoing on the guitar. It reminds me of the out of tune radio one might hear on very late night car journeys.  Awesome stuff but I no longer have the lifestyle where I can listen to the same music over and over again without people (bosses/wives/doctors) complaining that important things (work/playing with cats/hearing) are more important than sitting there with headphones on all day.

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Deep Forest – Deep Forest [#354]

DeepForestDeepForestMore tribal influenced music from the anthropological answer to Enigma, Deep Forest.

Perfect seduction music if you’ve got a green living room, giant potted cheese plants and a fetish for prancing about your living room in loin cloths while reliving Ibizan hauntology.

Curly kale.

 

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Club for Heroes – Various Artists [#283]

R-354603-1236507814Club for Heroes – Various Artists

Back in the early nineties, CD’s started to rise to prominence and with them came an increase in compilations. This is possibly the first compilation I bought rather than made myself using recordings from vinyl or cassette.

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BBC Live – Fields of the Nephilim [#127]

Fields of the NephilimBBC Live Sessions – Fields of the Nephilim

I came to Goth quite late although I was a fan of Strawberry Switchblade when they came out in the early eighties. FON was my late introduction to the Goth genre arriving in my mid to late 20s.

Ginger Chris, a goth friend who dressed in black and sported a fine set of natty dreads, insisted that the best band in the world was Fields of Nephilim and that no Goth would be accepted into the fold without a prior love or experience of Fields of the Nephilim.

So he gave me a cassette with some of their music on.

During a very very dark period of my mid twenties, I broke out the cassette and lowered myself on the express elevator into darkness through the medium of Fields of Nephilim. The compilation tape had all manner of songs on it and many I enjoyed.

When the internet, free downloads and USENET arrived, I immediately took it upon myself to get as much FON as I could. This is the first in the 19 albums I’ve managed to obtain over the years.

More of a bootleg than an official album, this appears to be a fan recording of five songs as performed on the BBC sometime. Possibly in the 1990s. Tracks include: Endemonadia, Love Under Will, Moonchild, Bluewater and Chord of Souls.

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Album #68 – Amused to Death – Roger Waters

Screen Shot 2014-06-03 at 15.06.11 Amused to Death – Roger Waters

I don’t know what it is about pissed off rock musicians. They whinge and moan about society and how hard it is and how corrupt and awful people in power are. Then they jump on their yacht and sail off into the sunset to their mansion in Cuba or somewhere.

Being a bit of a Floyd fan I was recommended Amused to Death by my hippy friend Blair who always had a good music recommendation that would tickle the old conspiracy tentacles.

Waters moans about the influence of media and television on society and war.Saw him live once though. Think the smile on his face at the end of the concert said the most. It was a kind of “Thanks for your money suckers!” look.

Maybe I miss the point. Media only has the power it has over people because we let it. These days, with the power of media in our own hands, we perversely continue to suckle on the teats of our media mummies rather than actually getting out and making our own media. Like writing a blog. Or making a film. Or singing our own songs. None of which will necessarily make you a living unless you’re really good at it, have the right face and you know the right people.

If you like being angry and helpless to do anything, this is the album for you. If you don’t like being angry, do something about it.

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