Jarre spreads European culture and music technology to the exotic Far East by playing gigs in Beijing and Shanghai then brings back a little bit of Chinese culture and musical influence to the West.
This album is a live, yes a live, compilation best of thing. Just like all the other live best of compilations in this project only this time, to make it different, you know it’s recorded in China. Wow! Actually in CHINA!
Sure there are a few “Concerts in China” specific tracks on the album but the bulk is just live versions of tracks from previous albums recorded in China. It also sees Jarre whip out his laser harp. I even remember my brother telling me to watch Jarre play the laser harp on TV because it was a groundbreaking, never to be seen again, instrument. Earth shattering never happened, Jarre went on to do more albums and laser harps will never beat seeing the Gamelan play live in Liverpool Philharmonic Hall.
More compilations. I’d like to say that you can tell the popularity of an artist by the number of compilation and “best ofs” they have. Sadly a great deal of musicians use “Best ofs”, Live concerts (as we will see soon with Bryan Ferry and others) and compilations (Box, Collection, Complete and otherwise) to fill the gaps in their “busy” schedules between drug taking, lying about in hotels with three or more women and playing golf, usually to keep the fans interested or aware that they’re still out there….recording…being inspired….living the rock star life. You’d never see Geoff Love releasing a best of.
Today on Stegzy’s Music Project it’s Mike Oldfield and his 1985 compilation showcasing the wide range of musical talent he has. Featuring his memorable pop songs (Moonlight Shadow, Shadow on the Wall, etc), excerpts from his studio works (Tubular Bells, Hergest Ridge, etc) and his film and television work (Blue Peter, Killing Fields).
This album was the first album I ever had on CD and I must have listened to it a thousand times over the years considering its age. I bought it from Boots in Liverpool in 1986 using gift vouchers received at Christmas to play on my shiny new CD player (also a Christmas gift bought from Boots). On the same visit I bought the Best of Donna Summer and probably a couple of computer games for my Commodore 64 from Bits and Bytes in Central Station. Bits and Bytes no longer trade, the Donna Summer CD cracked, flaked and went the way of the old dust bin along with the CD player and the stereo it was attached to. Boots no longer sell CDs or Hi-Fis but Mike Oldfield’s Complete Mike Oldfield triple CD compilation still exists and it sits. In a box. In the attic.
If you were about in the 1980s you’re more than likely familiar with Madness. If you weren’t then you might be aware of Madness.
This album is a compilation of the best of Suggs and his chums and their unique ska sound from the very beginning of their career. Music like this acts as a kind of temporal benchmark were you can usually relate one or two of their songs to some sort of event or activity in your life.
For me the songs Baggy Trousersand Cardiac Arrest have me at eight years old, listening to a cassette mix tape my dad made me for my old mono cassette player. House of Fun was rereleased in the 90s around about the time I was rejecting “popular” music so there’s nothing particular attached to that song.
It should be noted though, that this compilation is from 1982 so later songs such as Our House and Driving in my Car are absent. Therefore, if it is a complete compilation of Madness hits you’re looking for, you’ll want the later Ultimate Madness
Midge Ure et al, dance with tears in their eyes to all their greatest hits and there are quite a few. This “Best of” compilation is in my top ten of “Favourite best of compilations” especially as it has lots of songs I’m familiar with as well as a few that, until I heard it, were unfamiliar with.
Ultravox synthed their way through the music scene of the 1980s with epic songs people still remember today. Songs such as the evocative Vienna, the eye pricking Dancing with Tears in My Eyes and the rousing Love’s Great Adventure feature heavily on the 1980s soundscape and they also feature on this compilation.
If you want to recapture the 1980s with a single band and Duran Duran are not available, then Ultravox will happily fill that gap for you.
We now enter a section of the music project where we encounter another number of compilations comprising of “best of”s. Much like “Best of”, “Collection” albums tend to feature a showcase of the artist’s most popular works. They’re often a good starting point for finding out whether the band is compatible with your tastes and tends to have tunes you’re more likely have heard.
Massive Attack were part of the 90’s soundscape and very much akin to Portishead, Tricky and Morcheeba in that regard. Whenever they make a “period” drama set in the 1990s, it’s those bands that become part of the soundtrack.
Now the controversy: I like only a handful of Massive Attack songs. I tried. I got this album to try and like them more but it’s still only the same handful of Massive Attack songs that I like. Like all bands of a similar nature, after a while nothing new or inventive happens. We tend to get the same systematic rhythms, the same mix of women singing and men…Shatnering and the same repetition of themes over and over.
All that is great if you’re after a nice quick fix but it’s like that favourite table cloth you have. It’s the right colour and the right texture but it just isn’t the right shape for the table. That, dear reader, is what Massive Attack are like for me.
Back in the early nineties, CD’s started to rise to prominence and with them came an increase in compilations. This is possibly the first compilation I bought rather than made myself using recordings from vinyl or cassette.
I used to like The Byrds. Well, I liked a couple of their songs at least. That was until I discovered that they went a bit Goddy towards the end of the 1960s. After that, it was all bollocks really.
Chestnut Mare appears to be an unofficial fan compilation of some of the more popular Byrds songs. I have no idea how it came to be in my collection other than it possibly came from Jamie. Still, there are a number of hits on it, even though, it appears, the Byrds were just a glorified covers band.
Changesbowie, released in 1990, is an attempt to cram a twenty-something year career onto one eighteen-track CD. To give you an idea of the challenge, in that time Bowie released seventeen studio solo albums. For some of them he (or his record label) employed competent people to do the cover art; for this one, they apparently got the intern to knock out something on a Friday afternoon.
Let’s assume that, if you live in the Western world and don’t hate music, you’ll be at least passingly familiar with David Bowie. If you’re buying this album then you probably want a little bit of Bowie in your life, but really can’t be faffed with all those seventeen (now up to twenty-five) albums. You want a nice slice of curated pop, showcasing the weird and the genius while skipping all the bits that were just a little too weird.
And to some extent, I’d say this delivers. It starts, of course, with 1969’s Space Oddity, takes in the biggies of the early 70s, skips pretty lightly over the Berlin years, catches up with the pop hedonism of the beginning of the 80s, and then is (wisely) silent on the end of the decade.
Of course, with any compilation like this the question rapidly becomes not “what’s on it?” but “what got left off?” leaving us to wonder exactly who thought that rather turgid Fame was more worthy of inclusion that the excellent Life on Mars or Starman. To be fair, both of those made it onto the slightly-longer LP/cassette versions. Why didn’t they miss off the rather soupy Golden Years in favour of Ziggy Stardust’s overblown Rock and Roll Suicide? But at the point you’re asking those questions, maybe it’s time to move on and buy a couple of albums. This is certainly a decent snapshot, and covers Bowie’s development through musical styles over a couple of decades. It also gives the impression of being a carefully-compiled list (and not, in fact, a rushed-out record-label cash-in brought on by Bowie’s decision to go off and produce completely different music with Tin Machine at the time). If you’re an absolute beginner, it’s not a bad place to start.
My first and last time with you yeah? We had some fun. Went scrolling through the blogs yeah and they told you stuff. Oh I want to read some soon, but I wonder how, it was a new day yesterday, but it’s an old day now.
Brachiale Gewalt appears to be some remixed compilation album of Rammstein songs that is hard to come by. I had a look on Amazon. They’re out of stock.
Anyway, Rammstein. After watching David Lynch’s Lost Highway in the 1990s and being so utterly blown away, I went to get the soundtrack. On the soundtrack are two songs by German metal band Rammstein. Two songs that blow my mind in the same way that Lost Highway does. Go David Lynch!
My first purchase of music over the internet was Rammstein’s Sehnsucht which should have cost me about £20 but ended up costing me £2000 when my credit card details were used by cyber criminals to run up a massive bill on porn and other such things. Of course this was in the days when the internet was in its infancy and banks tended to think you were at fault if your card details were pinched by cyber criminals. Cheers First Direct!
So, Brachiale Gewalt by Rammstein. If you’re not a fan, I’d not bother with this album. If you’re a fan, I’d not bother with this album. If you’re one of those people that have pictures and tattoos of the band all over your house and body then great. Go for it.
This album is exactly what I’m doing the Music Project for.
My music collection is so vast it is impossible for me to have listened to every single album. The point of this project is to listen, filter and discuss with others what the albums mean to me, them and the rest of history. It is also there for me to delete albums that I have no wish to listen to again. However it is also there for me to discover albums I didn’t know I had. This is like that.
Bodkin is a gem. A prize in Prog-ism. Heavy in Hammond organ. Crazy drug inspired lyrics and wild wild instrument solo breaks. What more could a prog fan want?
Bodkin were a Scottish progressive rock band from the 1970s Doug Rome (Hammond organ), Mick Riddle (guitar), Bill Anderson (bass), Dick Sneddon on drums and Zeik Hume on vocals. A smooth mix of dirty blues (much like the Groundhogs) and Heavy Prog (King Crimson). Unique sound. An absolute pleasure to listen to and almost akin to Thotch
Unfortunately, Bodkin is the only album Bodkin made and it leaves you wanting more. Considering I heard this for the first time the other week, the album has already gone up my personal charts and nuzzled itself between Illusions on A Double Dimple (Triumvirat) and Animals(Pink Floyd).
More haunting ethereal songs, this time from the Scottish masters of the genre – Cocteau Twins.
During the height of the ethereal genre and 4AD’s dominance of new wave music, the Cocteau Twins were the band that was synonymous with the genre. Liz Fraser, Robin Guthrie and Will Heggie seeded the 1990s with their unique sound and, quite often, featured on television and film soundtracks.
Of course I wasn’t much of a fan. I’m still not. But having heard them not only on the Uncut: 4AD compilation and the soundtrack for the film Lost Highway I was intregued to find out more. So I did my usual thing of downloading all their back catalogue. Over time I’ve deleted many of the albums I had, purely because their works are too similar. Those that remain feature only the songs that I like. Black Sessions is a live recording of the band when the were featured on the French radio station France Inter. I kept this in hope that I might become more enamoured with the band. I didn’t.
The Bestiality of the Bonzo Dog Doo Dah Band – Bonzo Dog Doo Dah Band
Madness. This is a compilation of an eccentric British nonsensical band. The band that invented Steampunk. The band that invented Hipsterism. The band that sits down with a nice cup of tea and tidy waxed moustache in the middle of a battlefield.
If you are unfamiliar with Bonzo Dog you should be. Deliciously silly. Scrumptiously British. With a nice tang of the absurd and a rich saucy aftertaste of the chaotic.
I had the good fortune to see B3DB a few years ago, sans Viv Stanshall of course, but it was a memorable show and still timeless.
I remember Ian Vickery saying to me that U2 were the best thing to come out of Ireland and that failure to like U2 meant unworthiness. Then some years later the same boy said that U2 were old hat and that the Waterboys were where it was at.
I seem to recall someone else telling me that to like U2 meant you supported the IRA. Personally, I just thought they were rubbish. Possibly because they were as prog as Spandau Ballet.
Things were messed up in the 80s.
This compilation has all the popular songs used as background music in gritty dramas about “the troubles” or films where there would be lots of Irish youth being all gritty and hard done to. They just make me think of dark nights travelling down Hillfoot Avenue in the back of my dad’s Ford Orion.
Simple Minds are another band from my youth. Every song from their other “Best of”, Glittering Prize, recalls memories of me walking through post-Thatcher Sheffield on my way to University lectures.
Thing is, after 1995 I appear to have lost all taste for them. Don’t get me wrong, I do like Simple Minds, I just don’t like them in the same way I did in the 1990s perhaps it is purely because my tastes have matured. Or perhaps Scottish rock music was blown away by Belle & Sebastian. I can’t put my finger on it. Still, this is ok as far as “Best of”s go. I still hold Glittering Prize in higher regard but most of the songs on there appear here too. The additional songs are a bit “meh”.
Old Bill’s sister has been about for some time. But what we must not forget is that Shakespear’s Sister, despite recent televisual evidence to the contrary, is as goth as Bucks Fizz.
Shakespear’s Sister (SS) was one of those bands that I secretly liked when I was a teenager. With echos of Strawberry Switchblade, SS was dark glam with hints of what was to later become Dark Cabaret. Vampish costumery coupled with heavy makeup and songs to cheer. Think Kiss mixed with Bananarama and you’re not far off.
Indeed, Siobhan Fahey was once a member of Bananarama. But not Kiss. Which would have made an interesting statement. This best of covers the majority of their hits between 1988 and 1992. Many of which have me remembering times crashing on Sarah Melia’s living room floor while her parents were away. Wild times. Wild music.
I could tell you my anecdote about wild cocaine fuelled sex parties. Or I could tell you about gay orgies on the Wirral. Or I could even tell you about a night in 2005 and how it relates to this album. But I won’t. Purely because to do so might end up with me in court.
Anyway, OMD. This compilation has all of their hits. Shame that they had to blow all that fame on dodgy girl bands. I mean really…..
Two titans of prog meet and out prog themselves with prog in a very pro-prog kind of way. Jon Anderson of Yes joins forces with Vangelis of Aphrodites Child to forge an unholy progressive rock alliance bringing the auditory senses an extra dose of twee, sax and plinky plonky synth.
I used to really like this album when I was younger. I had it on CD, then on tape and just to be format friendly, nicked it off the internet. I think by the third time I had obtained this album, I’d already overspent.
Sure, its a good album if you’re a fan. But it’s certainly a product of the time. Just too twee. You half expect to sprout a kaftan and start waving a smudge stick about the place while sticking up Roger Dean posters everywhere just by listening to it.
Great if you like Greek blokes with beards and mop haired guys from Altrincham with inexplicable American accents.
The Best of Gothic Rock- Various Artists
Only it’s not.
It’s not what I’d class as “Gothic” anyway. At least with my modern more refined ears. Instead I would call these two compilations “The Best of Big Boobed Operatic Singers Accompanying Euro Goth Metal Bands” .
Both albums contain a nice introduction to bands such as Nightwish, Within Temptation and Lacuna Coil. Ideal music for a middle aged wanna be goth to indulge in, reinvent themselves and annoy the wife with.
As we will see, these albums had a profound influence on my own musical tastes and we will be seeing a few of the bands featured, multiple times over the course of this project.
Track listing as follows:
Volume 2 =
1. Within Temptation – Mother Earth
2. Nightwish – Bless The Child
3. Beseech – Illusionate
4. Trail of Tears – Liquid View
5. Lacuna Coil – Swamped
6. Therion – Ljusalfheim
7. Myriads – The Sanctum Of My Soul
8. Flowing Tears – Serpentine
9. Within Temptation – Deceiver of Fools
10. Moonspell – Nocturna
11. Sentenced – Guilt and Regret
12. Divercia – Everlasting
13. After Forever – Monolith of Doubt
14. Tristinia – Tender Trip on Earth
15. Sirenia – Sister Nightfall
Volume 3 =
1 The Rasmus – In the Shadows 4:16
2 Within Temptation – Running Up That Hill 3:57
3 Epica – The Phantom Agony 9:00
4 Nightwish – End of All Hope 3:54
5 After Forever – Intrinsick 6:52
6 Tristania – A Sequel of Decay 6:31
7 Apocalyptica feat Nina Hagen – Seemann 4:00
8 Tarot – Pyre of Gods 4:34
9 Sonata Arctica – Victoria’s Secret 4:43
10 Sirenia – At Sixes and Sevens 6:44
11 Therion – Enter Vril-Ya 6:37
12 Penumbra – The Last Bewitchment 5:10
13 My Dying Bride – My Hope, My Destroyer 6:47
14 Autumn – Along Ethereal Levels 4:05
Jeff Lynne and his beard again and yet another “Best of” compilation for the band. It seems to me that all ELO did was release regular “Best of” albums.
Of course I know that’s not entirely accurate.
This “Best of” as compared to the other “Best of” is clearly a best of best ofs. Some of best of tunes from ELO’s best of albums feature here including:
Livin’ Thing (from many of the best of compilations)
Mr Blue Sky (from all of the best of compilations)
and
Standin’ in The Rain (a first on their Best of compilations)
Perhaps that’s what they’re best at? Making Best ofs. Meh.
Worked a guy once who said that the greatest band in the world ever was Depeche Mode. Of course I mocked him.
A couple of years later after we had lost contact and I had changed jobs, I realised he was right. They’re so diverse. From plinky plonky synth shite in the early 80s to sophisticated synth ballads and remixes. DM are as multitalented as a room full of mature student graduates.
There are songs on this compilation that everyone over the age of 25 will remember and the urge to resist a bit of air drumming is hard.
Chris Isaak’s claim to fame is that he spat on me during a performance at the Royal Court in Liverpool in the 1990s. I forgave him, of course, purely because he was unaware I was there to be frank.
Anyway, this compilation brings together all Isaak’s best songs about broken relationships up to about 2003ish. It’s a good compilation.
Isaak has, of late, gone down the route of other songsmiths of similar calibre, focussing on the songs of those that came before them. While this is a good move on a creative scale, I worry that all originality might start to suffer. Like it did with Bryan Ferry. Still, while you can still listen to his better tunes on a Best of compilation, I don’t think we have to worry too much.
At some point between 1990 and 1995 someone once suggested to me that I should like U2. Fact is, I couldn’t stand them.
Bono is a knob, this is a universal constant, but Adam Clayton sounds like someone who should be an estate agent and anyone that calls themselves “The Edge” is obviously trying to emulate someone calling themselves “The Cool” or “The Hipster”. With the same effect.
For some reason this compilation is in my collection. I can’t stand U2. There are one or two songs I tolerate but they’re not on this compilation. They’re nothing special. People used to say how U2 were the sound of Northern Ireland and how they spoke about the troubles through their music. Perhaps they did. Perhaps having grown up during that time, the songs I tolerate still resonate with me. But, please, someone needs to stick a sock in Bono’s mouth.
And a pillow case over his head.
In my mind, the gritty Northern Ireland sound was produced to a better standard by Mike Scott and his Waterboys. Unfortunately, while the Waterboys later went down the Folky God Bothering Environmentalist Rout, U2 went down the “We’re the best so get used to it” Self Opinionated Bollocksfest Route.
The Best of & The Rest of British Psychedelia – Various Artists
It was obvious from the out set that the compiler of this compilation thinks that psychedelia has to either sound like Village Green Preservation Society by the Kinks or like it should be played in some new town like Reading or Milton Keynes with lots of young people expressing themselves through dress and dance.
It seems also that to pass as psychedelia, both the lyrics and the band name has to be slightly odd and quirky. This compilation has the following:
1 Morning Morgan Town – Jude
2 Keep Hold of What You’ve Got – The Shots
3 Shirley – Cliff Wade
4 House of Many Windows – Motherlight (sounds a bit like Genesis meets Marillion)
5 Peru – Chimera (Should be a theme tune for some Youthwave devil worship film from 1970, possibly starring Beryl Reid)
6 Saga of a Wrinkled Man – Fortes Mentum
7 Baby You’ve Gotta Stay – Angel Pavement
(Track 8 is Missing)
9 Laura’s Garden – Orange Bicycle
10 It Never Stays The Same – Bob Grimm
11 All Of My Life – Pussy
12 Green Mello Hill – Magic Worms
13 Leilla – Chiitra Neogy
14 Look At Me I’ve Fallen Into A Teapot – Cliff Wade
Never heard of any of them. Nice as non-distracting background music…
I came late to the Radiohead party. I think my invite was lost in the post. The buffet had been demolished, the DJ was playing the slowies and desperate singletons sat sobbing at their ability to scare off any potential mate. Probably a good thing really.
There are a number of Radiohead tracks that I like, but I think by the time I had got into Radiohead, the days of listening to albums in their entirety had long passed.
So, in an effort to discover more hidden gems, I obtained a copy of their Best of . All but one of my favourite Radiohead songs appear in this compilation. That one would be released on a much later album. But this album/compilation is a good showcase. Not my cup of tea mind. But enough to convince me that I need not worry about obtaining their back catalogue.