
It seems like an age since we last heard from nineties French trip-hopping electronauts Air on the Music Project. Indeed it feels like an age since we heard any new music output from the band.
A major player in my personal soundtrack to the nineties along with Portishead, Bent and Massive Attack, Air were pretty much in most 1990’s twentysomethings record collections somewhere. They broke ground with the extra special Moon Safari then, after a flurry of mostly ignored albums, flashed up in 2012 with this nod to Georges Méliès silent epic – A Trip To the Moon before disappearing in a puff of pretention and a best-of-compilation.
A great shame really as I was quite fond of the guys and I did go and actually buy their stuff rather than download and steal evaluate.
Moreover, I am also a fan of the whole “Mash an album over a classic film” thing, you know like syncing Floyd’s Dark Side with Wizard of Oz, Oldfield‘s Tubular Bells with the Exorcist and Belle & Sebastian‘s Boy With the Arab Strap and David Leland’s 1987 film Wish You Were Here 1
1 – May be untrue







First post in a year and with it, our last visit to a David Galas album (unless he releases another album before I reach Z). Happiest Days is Galas’ difficult second album with anger, gloom and despondency key elements at play.
The second of the three Bettie Serveert albums in the music project.


Ceromonies: Ad Mortem Ad Vitam – Fields of the Nephilim
Century Child – Nightwish
Cats and Mice – Kristin Hersh
Cammel Laird Social Club –
Camera Camera – Renaissance
Bridge over troubled waters – Simon and Garfunkel

[Big] Bond Movie Themes – Geoff Love & His Orchestra



Lemon Jelly.ky – Lemon Jelly [#670]
by stegzyLong time readers will recall the very first album write up in the project being Lemon Jelly’s ‘64-‘95 and how much has changed since then, musically, globally and culturally. Just listening to this, their first album released in 2000, brings back memories of an almost alien world- no social media as such, no 9-11 paranoia, no politically induced panic attacks and no mediascape flooded with copycats.
I say that about the copycats because around the time of release, former acquaintance Ray Pulling (Hi if you’re reading this) and I often tried to mix up similar sounds using his eclectic sound production “suite” and either my Amiga1200 or a PC – whatever was working/more portable at the time and situation – in which ever location we could be bothered to set up/be in.
But of course we never released anything, instead idled the time away chatting shit and eventually fell out over conflicting morality issues. So when Lemon Jelly started putting out much better finely polished stuff it was easier to just consume that than fart about in Qbase or whatever free sampling software came with that month’s PC Format magazine.
The album is itself highly regarded and is borrowed from stylistically by later and contemporary artists such as Bent , Zero 7 and Twofish and again, a reminder of something awesome British culture used to produce before lazy saccharinly insipid industry approved AI driven cookie cutter “culture by numbers” ruined it for everyone.
You can listen to the album on:
Amazon
Youtube Music
Apple Music
Spottyarse
Share this:
2000 Lemon Jelly