Stegzy's Music Project

A commentary on Stegzy's album collection

Ipcress File – John Barry [#642]

If you’re one of those people who only engage with media that is no older than twenty years old, then not only are you deluding yourself, but you are missing out on a whole trove of cinema, music and literature. One such diamond in this trove is the 1965 film Ipcress File the soundtrack for which is today’s entry in the project.

The Ipcress File is pretty much how James Bond would be if he was real. Lots of form filling, shit salary and offices that have seen better days. The film follows the adventure of Michael Caine’s Harry Palmer character who is caught up in a bit of cold war era espionage involving the reprogramming of prominent scientists through sinister mind washing techniques employed by Soviet-era bad guys. There are more twists, turns and double-crosses in this film than a box of headphone cables.

The iconic music, also a diamond musically, has been sampled to death over the years by bands like Portishead and makes heavy and distinctive use of an instrument known as a Cimbalom.

The soundtrack was one of the first albums I bought through the new iTunes store back in the noughties. However, as I didn’t have a portable device capable of playing Apple’s proprietary music files, I could only listen when at my computer. This was, of course, in the time when computers where huge things that sat on your desk and not the candy bar sized multimedia devices of today. But when you see the film and the size of computers in 1965, you’ll be grateful you don’t have to cart one of those around if you want to make a phone call.

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Into the Gap – Thompson Twins [#639]

album cover for Into the gap by the thompson twins
No Eighties compilation can possibly be complete without Thompson Twins. Indeed, no music collection grown across the decade of the eighties can be considered complete without them either. Thompson Twins are a sound so the eighties they may as well have quiffy hairstyles, have a band member of undetermined gender and look moodily into the camera when not dancing freestyle in their music videos.

During one of my many visits to Virgin Megastore when I was a student in 90’s Sheffield, I was desperate to make up a 3 for £20 offer from the selection available, so it was Into the Gap that became the third. Sadly, in a desperate effort to make friends, I loaned the CD out to someone only for me to drop out of uni a few months later and lose contact with the borrower forever.

Fortunately for me, I kept a cassette recording of the CD to listen to on my Walkman and managed to rip the cassette recording nearly an entire decade later. The version I have now is kind of a third gen rip of the album but still really good crystal quality. A testament to the various recording devices I’ve had over the years.

Yet considering I wasn’t all that keen on the band to begin with, I really fell for this album. Perhaps it’s the waves of nostalgia that come with it or perhaps the power of the three hit songs from the band that appear on the album. I’m not entirely sure.

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Interstellar Encore – Pink Floyd [#636]

R-1738078-1240176164.jpeg.jpgA bootleg so bootleggy you can smell the sweaty socks. Interstellar Encore is one of many Pink Floyd bootlegs donated to my collection by a former work colleague who had a similarly large music library to mine, although admittedly, most of his music was a bit more….”bootleggy” in nature.

Of course, back then, the tagging of MP3s was in its infancy and some people used to just dump a load of MP3s into a folder of a CD with no organisation and pass it around like a spliff at a hippy party. Carefully written sleeve inserts would get mixed up and any questions about which MP3 belonged to which album quite often resulted in snorts of derision.

So, as a result of how it happened, my version of Interstellar Encore might differ from 99% of the people out there with the actual Interstellar Encore bootleg although on research the track listing does seem to match up. But, such is the nature of illicit downloads and bootlegs; only a true fan would tell you whether it was actually the Filmrore West Interstellar Encore version of Embryo that I have or if it was the Biding My Time in Croydon version.

Like I care.

Incidentally, if you’re still enjoying this music project, I would appreciate a little publicity. One thing that fires me up when doing this project is knowing I have a readership. While it’s not exactly interactive like say The Existential Compost, The Compostual Existentialist or u/stegzy on Reddit, a look at the (very basic) site stats shows me that I do have some visitors, but having more keeps my typing fingers itching!

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Hidden Treasures – Dead Can Dance [#584]

UnknownThe problem with bootleg albums is that they become addictive. Especially when the band has been around for ages and you’ve come to them late. Following my introduction to Dead Can Dance in the autumn of 1993, I had already collected the majority of their albums on CD by the time the Great Music Download Free For All hit the UK in the mid-noughties. So I would often spend hours late at night scouring the alt.sounds.gothic.mp3 newsgroups looking for new and rare Dead Can Dance material that I was, perhaps, unfamiliar with.

Hidden Treasures is one such catch. Released in 1994, possibly recorded in Italy though some sources differ, the “Unofficial” album has live performances of tracks stretching back through from the band’s Towards the Within stage of life but also features a collection of tracks from much earlier. Thing is, as with all live bootleg recordings, some of the songs are much different than their studio recordings which, I suppose adds to their appeal amongst fans.

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Fish Rising – Steve Hillage [#476]

220px-Steve_Hillage_Fish_RisingUncelebrated guitar king and one time Gong member, Steve Hillage’s first solo album following his departure from Gong.

By all other regards, this really sounds like a Gong album. It has Gong members Howlett, Moerlen, Blake and Malherbe but also features Dave “no the other one” Stewart who you might know from helping to arrange Fear of a Blank Planet or his work with Barbara “Spirogyra” Gaskin or his TV work.

This is exactly what I like about prog. Former band mates, guys you meet in the pub and pals from different groups getting together to make music. You don’t get that in modern times. You never see the likes of Gary Barlow getting together with say, H from Steps, Noel from Oasis and Mel C to do an album about a fish. For a start their agents and recording labels wouldn’t allow it but also it’d be complete bollocks.

As I said, Fish Rising by all accounts sounds like a Gong album but without the Gnomes, Pixies and Flying Teapots. A more relaxed background album than a fully fledged “concentrate or you’ll miss it” progressive concept album. It is however something you – if you’re a fan of Gong, Hillage or embarking on a life changing journey through prog – might want to listen to as an appreciation exercise to see if you can detect distinctive musical styles and flourishes. Or maybe you’re just high on something and have the old oil projection lamps going and need something to help you focus on.

 

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Ceromonies: Ad Mortem Ad Vitam – Fields of the Nephilim [#257]

Ceromonies: Ad Mortem Ad Vitam - Fields of the NephilimCeromonies: Ad Mortem Ad Vitam – Fields of the Nephilim

Live music from our gothic dust beaten hat wearing chaps from Stevenage.

Perhaps it’s age, but to me it’s hard to take this album seriously. The guy you can hear growling away, Carl McCoy, was in his mid forties  when this album was recorded. Which is cool. If that’s what you can pass off. But all I can think of is some “dad” like figure dressing up like some forsaken cowboy growling. Not singing. Growling.

That’s not to say I don’t like it. It’s a good album. Nice mix of songs old and new showing progression and a nice introduction to the band for young newbies. But remember kids, the lead singer is old enough to be your dad. Or, in some cases, your granddad.

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Carnival of Souls – Miranda Sex Garden [#247]

Carnival_of_Souls_(Miranda_Sex_Garden_album)

Carnival of Souls – Miranda Sex Garden

Longer term readers will already know, I came to the goth scene quite late. I’d heard about Miranda Sex Garden in rumours and whispers, so when I came across their entire back catalogue I was overjoyed.

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Car Wheels on a Gravel Road – Lucinda Williams (#245)

CarWheelson_aGravelRoadCar Wheels on a Gravel Road – Lucinda Williams

On frequent occasions during this project I come across albums I have no idea how or why I have them. Unfamiliar with Ms Williams as I am, I attempted to listen to the album. Just for you. Yes. this is the kind of stuff I do for webkind.

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Can’t Look Away – Trevor Rabin (#243)

CantlookawayCan’t Look Away – Trevor Rabin 

This is former Yes guitarist, Trevor Rabin, and his third studio album.

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Looking for contributors

I’m always keen to have guest writers on my blogs, Stegzy’s Music Project especially. As many of you will already know, I’m off getting married soon, so I am keen to have someone take care of the postings while I’m away.

If you would like to review any of the albums listed below, please message me (either in comments, email or DM) with the album you’d like to review or comment on and I’ll set you up as a contributor.

I’m happy to make the music available to you too if you haven’t got it already. I find that the project has meant I’m often listening to things I’ve never heard before and it’s fun writing musings about things as you hear them for the first time.

There are a small number of albums that I’d like to do myself (marked with an asterisk) but I’m happy to have guests review them too if they want. As long as you can commit to submit before or on publication date (in brackets) that’s fine. I don’t usually post on weekends but if I get significant interest, then I’ll fudge the dates accordingly.

So, coming up is:

Car Wheels on a gravel road – Lucinda Williams (9/2/15)
Caravanseri – Carlos Santana (10/2/15)
Carnival of Souls – Miranda Sex Garden (11/2/15)
Carry on up the charts – Beautiful South (12/2/15)
Casanova – Divine Comedy (13/2/15)
Casino Classics: The Remix Album – St Etienne (16/2/15)
Cassette – Fields of the Nephilim* (a compilation given to me years ago) (17/2/15)
Castlefest 2011 – Various artists (18/2/15)
The Cataclysm – David Galas* (my favourite album of 2009) (19/2/15)
Cats and Mice – Kirstin Hersh (20/2/15)
Celestine Prophecy – Christoper Franke (23/2/15)
Century Child – Nightwish (24/2/15)
Ceromonies: Ad Mortem – Fields of the nephilim (25/2/15)
Change we must – Jon Anderson (26/2/15)
Changes in Mind – Golden Dawn (27/2/15)
Changesbowie – David Bowie (28/2/15)
Charlie and the chocolate factory – Danny Elfman
Chestnut Mare – Byrds
Chicago Demos – Blood Ruby
Chicken Skin Music – Ry Cooder
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Cammell Laird Social Club – Half Man Half Biscuit (#242)

Cammell Lairds Social ClubCammel Laird Social Club – Half Man Half Biscuit

Cammell Laird Social Club  is possibly one of my most favourite albums. Not only is it a sly dig at Buena Vista Social Club but it’s possibly the finest bit of musical wit and whimsy that has ever existed.

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Camera Camera – Renaissance (#241)

Camera Camera - RenaissanceCamera Camera – Renaissance

Prog is a funny old thing. Lots of twiddly widdly. Lots of showing off. Long songs. Nice things like that. Punk came along and ruined it; turned music listeners into consumers of sweet saccarine junk with about as much artistic merit as a lump of tar.

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Breakfast in America – Supertramp (#220)

Breakfast in America - SupertrampBreakfast in America – Supertramp

 This album takes me back to my father’s office, filled with his diving treasures, a fascinating roll- top desk my mother later worked at (with an old cheque book in pounds shillings and pence in the drawer) and his drawing table where he would draft out plans.  Oh, and the hi-fi, a futuristic silver thing that played my favourites on a Saturday morning when I wasn’t listening to Junior Choice with Tony Blackburn and Arnold the dog (woof woof) on the radio.

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Born of the Night – Midnight Syndicate [#212]

Born of the Night - Midnight SyndicateBorn of the Night – Midnight Syndicate 

If you ever want to give your neighbours the impression you are a goat worshiping Satanist or maybe get the locals gossiping about you being a bit odd. Then all you have to do is put this album on, invite a few local dignitaries round for a glass of red wine and roll your eyes uncontrollably while chanting in Latin every hour or so.

Seriously.

This album will make you seem like either a teenager trying to be all out goth or a middle aged nut case who wants Peter Sutcliffe or Charlie Manson as bunk mates. If you were holding a seriously dark Halloween party then yeah, this would go down well providing, of course, there are no plans to dish out psychotropic drugs with the jelly and ice-cream.

 

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[Big] Bond Movie Themes – Geoff Love & His Orchestra (#209)

[Big] Bond Movie Themes - Geoff Love & His Orchestra[Big] Bond Movie Themes – Geoff Love & His Orchestra

Ok. Well it was going to happen. Some git tagged this album with the incorrect album name thus buggering up my alphabetising of the project.

Bond Movie Themes, or BIG Bond Movie Themes sees us back in the welcoming auralscape of Geoff Love’s easy listening. The main theme gets the Love treatment along with a number of Bond theme tunes.

Not as good as Geoff’s sojourn into Westerns or Sci-fi but a notable addition to his works.

 

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Bodkin – Bodkin (#208)

BodkinBodkin – Bodkin

This album is exactly what I’m doing the Music Project for.

My music collection is so vast it is impossible for me to have listened to every single album. The point of this project is to listen, filter and discuss with others what the albums mean to me, them and the rest of history. It is also there for me to delete albums that I have no wish to listen to again. However it is also there for me to discover albums I didn’t know I had. This is like that.

Bodkin is a gem. A prize in Prog-ism. Heavy in Hammond organ. Crazy drug inspired lyrics and wild wild instrument solo breaks. What more could a prog fan want?

Bodkin were a Scottish progressive rock band from the 1970s Doug Rome (Hammond organ), Mick Riddle (guitar), Bill Anderson (bass), Dick Sneddon on drums and Zeik Hume on vocals. A smooth mix of dirty blues (much like the Groundhogs) and Heavy Prog (King Crimson). Unique sound. An absolute pleasure to listen to and almost akin to Thotch

Unfortunately, Bodkin is the only album Bodkin made and it leaves you wanting more.  Considering I heard this for the first time the other week, the album has already gone up my personal charts and nuzzled itself between Illusions on A Double Dimple (Triumvirat) and Animals (Pink Floyd).

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Blue Lines – Massive Attack (#207)

MassiveAttackBlueLinesBlue Lines – Massive Attack

As I’ve stated before during this project, when relationships break down these days there is often an amicable exchange of music via the ripping of jointly owned CDs and mergence of MP3 libraries. Unlike in the past where bitch fights would break out over who owned the Peter Sarstedt album, these days we can share and amalgamate, break up peacefully without the need to decimate music collections.

Unless you’re a bastard and you delete all your music just to spite them.

Anyway, this is an album gained through one such breakup. I’m not a big Massive Attack fan. I have their best of somewhere I think, though it doesn’t seem to have appeared on this project yet, and I have their “coffee table album” Mezzanine. But other than a few songs of there, I’m not a big fan. They’re ok. Just not my scene. A little like a seedy version of Portishead.

So I can’t really tell you what I think about this album other than I like one song on it. The rest is just Meh. I have no stories attached to the album and I have little memory of when it was added to my library.

 

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01011001–Ayreon [#22]

000-ayreon-01011001-(advance)-2cd-proof-2008

01011001 by Ayreon

I can’t remember how I first heard about Ayreon. It might be listening to a compilation or something but from the first song that I heard, I just knew that I would like his work.

So I managed to get his back catalogue with this fantastic double album being released at the moment that I began getting Ayreon’s work.

I think that Ayreon, or Arjen Anthony Lucassen, does a bloody good job of uniting various artists such as Floor Jansen, Anneke Van Giersbergen, Bruce Dickinson and Fish under a single project umbrella. Much in the same way as Ivo Russell-Watts did with 4AD and This Mortal Coil. The difference being that Lucassen creates a concept album as the central cusp of the union.

So let us see….changing artists – Check; Concept albums – Check; Bearded and hairy musicians – check; Rock music – Check….so does that make it prog? New prog? In my opinion, yes it does.

01011001 tells the tale of the descent of man into destruction despite alien entities, psychically beaming visions of our destruction into our little heads. It works. It tells a story. With music and catchy tunes.

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9012 Live: The Solos & 90125- Yes [#20] & [#21]

9012 Live: The Solos – Yes

People that have known me for a while will no doubt agree when I say, as a youth, I was weird. When all my contemporaries were enjoying U2, Deacon Blue, Blur and Shakespear’s Sister; I was deeply entrenched in a puddle of prog. Most notably, Yes and Triumvirat.

As I reached my early teens my desire for music grew. HMV became the Minaret that called me through it’s doors to the music Mecca that was inside. Remember, this was many years before the Internetz and free musicz. You would have to go through the LPs and CDs alphabetically by artist and hope that there would be something new or exciting within your price range. If they didn’t have the album, you could ask them to order it, but they’d probably charge a fortune. Or you could just hope that on the off chance it would somehow miraculously appear in the racks.

In the day, records were out of my price range and I would use Christmas and Birthdays to boost the contents of my music library by asking grandparents to buy me the albums or by using gift vouchers. One of the albums I got during this time was this. Unfortunately the vinyl got warped somewhere between the printing press and my record player. I didn’t have a receipt. I didn’t have the courage to ask for a refund. Instead I listened to the listenable bits and made do.

This album reminds me of so much about my childhood. Probably because this and the accompanying studio album and video were on repeat

90125 – Yes

I wrote to Jimmy Peado Saville and asked him to fix it for me to sing with Yes because of this album. He was obviously too busy fiddling to Fix anything for me.

90125 is a break from the twiddly weirdness of their earlier stuff. A complete style change from Tormato and Drama. Yet it works. It works well. They even had a new guitarist. Trevor Rabin (Steve Howe had gone to play with Asia). He looked so cool I wanted long hair like his. I wanted to be dark haired so I could have long hair like his. This was new stuff and a new style that would continue to evolve and grow like me. I must have listened to this album a million times as teen and as a twenteen. With the VHS live video to accompany it too.

Incidentally, this is the album which contains Owner of a Lonely Heart; Yes’ most famous song.

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Music Project – Album #19 – 2001: A Space Odyssey – Original Soundtrack

2001: A Space Odyssey – Various Artists (Original Soundtrack)

As a child I thought 2001 was boring. Too much talk. Not enough lasers or explosions. And what was that thing about the huge slabs of Cadbury’s Dairy Milk in space about? And why was Rigsby talking with a Russian accent? But hey! Look at all that cool stuff we’ll have in 2001! Holidays in space, floaty pens and Commodore 64s will have huge red lights and be able to kill you. Wow.

As a twenty something, 2001 became the wall paper for mind experiments. Mostly to do with the weird bits at the end. A chap I knew edited the weird trippy hyperspace sequence at the end into a 3 hour stoner flick complete with far out music. Suffice to say, his place was popular with hippies and tourists of the ether on a Friday night after the pubs had closed.

The soundtrack for 2001 is a mix of familiar classical Strauss waltzes interspersed with more unusual Modernist works by Gyorgy Ligeti. Ligeti, you might recall, is a progenitor of the atmospheric style of music. Eerie chanting choirs (they chant “Eeee” and nothing more) are part of the course with Ligeti and sections of his Requiem provide further feelings of unease and suspense. It’s amazing what music can do isn’t it? Some might think of six minutes of people going “eeeeee” discordantly would be torture, while others listen through the surface and deep below feeling the pulses and rhythms on an almost synesthesic level.

On reflection I seem to recall one of my brothers having the 2001 soundtrack when I was a child. I’m certain my mum insisted that he did not play the album when I was around as it might be too scary. It probably was, but I’m sure the continuous playing during my early years, altered my mind on some level, meaning I can appreciate atmospheric, true industrial, noise and rhythmic genres on a significantly different level.

Or perhaps has given me the ability to spout shite.

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1984 – Rick Wakeman [#18]

1984 – Rick Wakeman

Take one Chaka “Chaka” Khan (out of deep storage), a dose of Kenny Lynch, a teaspoon of Jon Anderson, a pinch of cockney rebel Steve Harley and mix well with copious amounts of bearded prog rock keyboard player (remove beard). Garnish with sprinklings of Tim Rice Libretto which has been steeped overnight in a solution of George Orwell’s 1984. Leave to play for 46 minutes.

Serve with bemusment.

Rick the bearded grump mashes out another album of prolonged twiddling this time without the ice skating panto horses. Instead he collaborates with Tim “Jeeeesus Christ Superstar” Rice and tells the story of Orwell’s 1984.

If you can listen through Chaka “Chaka” Khan’s screeching you will hear something quite entertaining. Don’t get me wrong, this isn’t “Lounging about on the sofa drinking coffee” music, nor is it “bring some girl home and romance her” music (unless you’ve found the mythical female prog fan). It isn’t even “Aren’t we refined” dinner party music. It’s “Let’s vacuum the house” or “Wash the dishes” music.

Admittedly I used to listen to it when I did my paper round so it isn’t all that bad really.

Except for the screeching.

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Music Project Album #17 – 1200 Curfews – Indigo Girls

1200 Curfews – Indigo Girls

What is this shite doing in my music library and how did it get there?!

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Music Project Album #16 – 666 – Aphrodite’s Child

666 – Aphrodite’s Child

Aphrodite’s Child is to Greece what the Beatles are to Liverpool and Abba to Sweden. If Greece had maintained such quality progrock output I suspect they wouldn’t be in financial difficulty now.

Though what do I know about economics? Stuff all.

I suspect most of you will not have heard of Aphrodite’s Child (AC) but I’m certain you may be aware of two of the lead members: Vangelis and Demis Roussos. The band was a product of a time when Prog was popular in the west – long before punk appeared. With a style similar to the Moody Blues, AC only managed to churn out 3 albums. 666 is the last AC album before they split to pursue solo projects and is a concept double album based on the bible’s Book of Revelation.

I’ve only ever attempted to listen to the album all the way through a couple of times. It’s quite hard going but there are a couple of sections that stir up desires and send prog infused shivers to your toes via your spine. These being most notably The Four Horsemen and Hic and Nunc If you know the works of Vangelis and Roussos you would probably listen to it blissfully unaware of who you are listening to, this album being so detached from their later styles.

But to truly experience the album in its fullness, you need to abide by the following recipe:-

You will need:
A room (plastered, painted white with lines of blue to resemble some form of Greek restuarant)
Some form of heating (can be natural)
A beard
3 chest wigs
A kaftan
Some drugs
Metaxa
Strong smelling aftershave from the 1970’s (Brut 33, Blue Stratos, Denim or HiKarate will do)
A record/tape/MP3/media player
A couple of friends with beards and kaftans
Numerous cushions (varying in size)
A mezze board of kebab meat

Method:

1. Take the room, heat to unbearable sweaty levels. Sit in the room. On a cushion. Wearing your kaftan with your beard and similarly attired friends. Stuff the largest cushions up your kaftan and encourage your friends to do the same. This is to increase your girth and make you at one with Roussos, Sideros and Vangelis.

2. Douse each participant in the strong aftershave and apply the chest wigs (if you are doing this on your own because you have no friends, use all three chestwigs for full appreciation). Repeat until fumes effect visibility or motor functions. Ensure all participants have worked up a really big sweat.

3. Partake in the drugs and metaxa. Cannabis is recommended here as you can usually get a good hit if you use a hooka pipe which will also add to the authenticity of the experience. Other drugs can be used but may effect the overall experience detrementally (especially crack or crystal meth).

4. Play the album and nibble on mezze board.

5. Chill

6. Halucinate and sway about.

7. ???

8. Profit.

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101 – Depeche Mode [#15]

101 – Depeche Mode

Depeche Mode’s music incites a strange mix of emotions and feelings. Kind of kinky dirty but also grimey in the same way. I suppose it’s because I know some members had a really bad smack habit so often images of Grange Hill’s Zammo slumped in a dirty public bog, hypodermic needle in his arm and dirty burnt silver foil in his hand come to mind.

Saying that, some songs especially those off Songs of Faith & Devotion onjour images of Martin Gore and Dave Gahan in bondage gear flagellating each other in some weird S&M orgy involving penguins and matchsticks. Dunno why….it just does.

My first post-childhood exposure to Depeche Mode, as in one where I was starting to become aware of popular music, occurred in 1992 when I was a student at Sheffield Hallam University. It was while supporting my studies working at Halfords I met a strange chap (who smelt of used sleeping bags) whose belief was no Sunday was complete without 7 hours of constant Depeche Mode. I suppose the repetition helped. I even went and bought their albu Songs of Faith and Devotion, the tracks from which became the soundtrack of those days. Mostly because it was the only CD other than Mike Oldfield that I had with me during my stay at Uni. But I’ll go into that more in about a year or so…when I get to S.

101 is a live album. As with all good live albums they provide a snap shot of a band’s catalogue at the time of going to press. Indeed, I find live albums a good way of determining whether or not I’ll like a band. With some exceptions. But we’ll get to that in a few months time.

Recorded in 1989 at the Pasadena Rose Bowl,101 is a good collection of Mode favorites. Most importantly it has an accompanying live concert video which I saw back in the mid nineties. I recall seeing it when at Ginger Chris’ house. Everyone was smashed out of their heads on their intoxicant of choice and discussions regarding Egyptian spirituality, UFOs and conspiracies were rife. I suppose that situation reinforced the imagery I described earlier in this entry.

Mode, like Abba, are one of those bands who feature on everyone born in the 1960’s to 1970’s personal life soundtrack. I’m sure there are some younger readers who will also say “Ah but they feature on my life soundtrack too”, and that may be the case. Such is the power and distinctive style of Depeche Mode. Indeed, this live set contains some of their earlier more poppie tunes (I maintain the best thing that Depeche Mode ever did was persuade Vince Clarke to leave) such as Just Can’t Get it up enough and People are People

It would be pertinent to expect to see a fair bit of DM during this project.

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90 Bisodol (Crimond) – Half Man Half Biscuit [#14]

90 Bisodol (Crimond) – Half Man Half Biscuit

There are these four blokes from Merseyside in the UK who formed a band and stormed the world with their music. Unfortunately they were very over rated, one had such a big opinion of himself he got shot; another took too much drugs in India; the third couldn’t play or write any good songs and the fourth is popular with the ladies for some reason.

They were shit.

Then there was this other group of four blokes from Merseyside. They too formed a band and stormed the UK with their unique sound, acerbic lyrics and cutting social commentary. They are not known well enough. I hope this corrects itself soon.

HMHB, to those in the know, have been going for many years. The late John Peel listed them as one of his favourite bands. I do too. 90 Bisodol is their most recent album and it performs very well.

As with most new music it does take a while to get into but I think Excavating Rita (a humourous song about necrophilia) was the first song on the album that grabbed me by the funnies. But it wasn’t long before the sarcastic account of mischief around a village fete in Fun day in the Park (They lied to me they lied to me on their posters!) that had me hooked and landed like a gasping trout. Side ways jibes, observation and commentary on British middle class society permeate HMHB songs. Sadly I worry that their unique observations do not translate well to other cultures beyond the UK. Do Americans have issues with local scolds on lower walks? Do Europeans understand the concept of attempting to descend the Stiperstones or cross the road without drawing attention to ones self? I don’t know. What I do know is HMHB talk to me like I talk to myself. Which is a good thing right? I mean I talk to myself all the time. Its the only way I get a sensible answer sometimes…..

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