Stegzy's Music Project

A commentary on Stegzy's album collection

Are you Experienced – Jimi Hendrix [#85]

Screen Shot 2014-06-23 at 15.22.24 Are you Experienced? – Jimi Hendrix

I am experienced. I am experienced in listening to music.

Short of jumping into your TARDIS and travelling back to Woodstock, you’re unlikely to see Jimi Hendrix perform in these parts. Though if you’re anything like me, you’ll probably end up in Woodstock in Oxfordshire.

Oh how we laugh.

Anyway, this is Jimi’s debut album. Had you been about in the 60’s you’d probably be listening to it on your portable gramophone while older stuffy types look on disapprovingly. It’s got all the overplayed Hendrix songs, Foxy Lady, Are you Experienced and Hey Joe and runs into about an hours worth of playtime.

Personally, with my futuristic ears (they have their own jet pack), I can’t hear what the fuss was all about. It’s some bloke with a guitar. Unremarkable. Run of the mill. Nothing exciting. Nor stimulating.

I suppose back in the time it was ground breaking but probably only because it was harder to get yourself heard in those pre-internet days. Modest musicians would probably say that their skills on guitar are nowhere near as good as Hendrix. But that’s like Mozart saying William Byrd was the better composer.

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Album #84 – Arcana – Edenbridge

Edenbridge - Arcana (Front)Arcana – Edenbridge

Guess what?

More tight leather trousered European women with dark flowing hair singing along to twiddly keyboards and chuggachugga guitar riffs. Brilliant.

Austria’s Edenbridge were the last of my big boobed metal band discoveries. On the basis that Shine was quite enjoyable, I sourced the entire Edenbridge back catalogue and now wish I had better taste in music. Sabine Edelsbacher melodically shrieks fairy tale lyrics to boyfriend Lanvall’s speed metal guitar twiddling and Roland Navratil’s RSI inducing drum beats.

I quite like this album. It sneaks up on you like a bad cold in June. I’ve almost deleted it a number of times but I keep fetching it back out from the recycle bin so I must like it.

Nothing really of note memory wise to tell about this album. It’s typical Edenbridge fayre on the back of the metal bands lead by women movement of the noughties.

 

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Album #83 – Aqualung – Jethro Tull

Screen Shot 2014-06-10 at 16.39.39Aqualung – Jethro Tull

Sitting on a park bench listening to Aqualung reminds me about history lessons at school.  Read the rest of this entry »

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Album #82 – Apollo: Atmospheres and Soundtracks – Brian Eno

Screen Shot 2014-06-10 at 16.28.45 Apollo: Atmospheres and Soundtracks – Brian Eno

Ah coffee table albums. Bit like coffee table books. The kind of music brought out at middle class dinner parties to wow and seem hip and in touch with culture.

It’s mostly bollocks.

Like me ,you’ve probably got several coffee table albums in your own personal collections. Such as David Grey, Buena Vista Social Club, War of the Worlds and anything by Adele. Brian Eno is the reigning emperor of coffee table music.

This album consists of music and soundscapes that wouldn’t be out of place in a chapel of eternal rest or that place they send off Edward G Robinson in Soylent Green. 

Not for me. It’s a little too hip for my liking and pigeon holes the listener into the 30+ bracket. Kind of like how your grandparents were probably listening to James Last around the gramophone.

Tired overplayed coffee table tosh.

 

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Aphelia – Scream Silence [#81]

Screen Shot 2014-06-10 at 15.19.19 Aphelia – Scream Silence

German in origin, Scream Silence is another one of those bands that don’t seem to be well known in the UK. Can’t think why. They’re great.

Apart from the sometimes comical pronunciation of English, Scream Silence are just what you want from a post-Nickleback musicscape. With shades of Breaking Benjamin and European rockers Sonata Arctica, Scream Silence are an angry man’s musician of choice. Occasional death growls and loads of chugga-chugga, they have made some good albums.

This is not my favourite Scream Silence album, that honour going to Savourine. Aphelia, Scream Silence’s sixth release, is a good second base and recommended to those not wanting Rammstein’s German lyrics.

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Album #80 – Apartment Life – Ivy

Screen Shot 2014-06-10 at 14.43.39Apartment Life – Ivy

New Yorker lounge core artists smooth their way into your ears with strained yogurt tones and creamy caramel vocals. Ivy are like aurally sucking on a really strong mint with a eucalyptus coating while sexy ladies blow cold air into your ear.

I was introduced to Ivy by Last.fm who frequently made them pop up on my Last.fm recommended radio station. And it’s a good job because I really like them.

Another one of those bands that, in days before internet, would have been difficult to obtain in the UK.  However, a good deal of Ibizan DJs have mixed Ivy’s stuff into their own dreamy summer flavoured lounge mixes, which is probably because Ivy do a really good job of making you feel that it is summer.

A fairly good album for a first, but not my first taste of Ivy (that was Long Distance)I often wish somebody would ask me to travel to the USA to be part of a band or copy writing group like they did with the lead singer of Ivy.

Delicious.

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Album #79 – Anywhere But Home – Evanescence

Screen Shot 2014-06-10 at 14.25.55

Anywhere But Home – Evanescence

Sometime in the noughties, big record companies identified a popular and growing genre with the young and spendy. It was taking Europe by storm. Metal and rock bands fronted by a female singer with dark hair and huge norks.

It was growing like a fungus on the toe of American and British youth culture but not as fast as it was in Europe. So when they found the American band Evanescence, they were everywhere. Soundtracks such as Daredevil and Elektra and numerous TV show links seemed to require a healthy dose of their music.

I only like three of their songs. To be fair, I find them a bit plastic and over-produced. This album features those three songs in a live setting with lots of screaming fans. Albums like that show how popular bands can become. Sadly, I can’t put up with their other stuff…

 

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Album #78 – Anthology Archive – Revue Noir

Screen Shot 2014-06-10 at 14.05.53 Anthology Archive – Revue Noir

This is another one of those music projects by bands I like but didn’t know they’d done.

Revue Noir is a collaboration between Sam Rosenthal and Nicki Jaine both former Black Tape for a Blue Girl.The Noir is rightly placed as this is as dark as 10 NeuroticsThe album covers several familiar songs from a variety of artists such as David Bowie and The Doors taking them to a very dark place indeed.

Think Dresden Dolls, with the lights out, in a mine, painted black. With your eyes closed. Or maybe imagine a dark burlesque evening where everyone there is hedonistically miserable and the stage act sounds like they’re about to break into some weird real life S&M.

That’s Revue Noir. Dark and sinister.

Another hipster album I think. For those wanting to sound enchanting, hip and dark or fans of the sexually charged Dark Cabaret revival of the noughties.

I couldn’t find a video of anything from this album other than this one which, curiously, was filmed at a burlesque evening.

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Album #77 – Another Kind of Love – Joe Bonamassa

Screen Shot 2014-06-10 at 13.51.45Another Kind of Love – Joe Bonamassa

I have a friend who is a guitarist. Jim is a very good guitarist. Jim knows how to play his guitar with feeling and passion. Much like Joe Bonamassa. Joe Bonamassa, unfortunately, is not my friend. If he was, I could imagine him and Jim doing something together. With lots of hair.

My first introduction to Bonamassa was a live cover of New Day Yesterday and this was the only album I was able to obtain before I lost the use of fast internet (I now live where a broad band is a group of potbellied musicians).

Blues rock guitar with plenty of chugga-chugga. Nice for one of those days when you’re working on an engine in your garage or doing some other manly thing wearing denim and cheese cloth shirts. Possibly in the blazing New Mexico heat while smoking roll ups and wearing a bandanna.

Another one of those musicians that lots of people have heard about but neglected to tell me.

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Annwyn, Beneath the Waves – Faith and the Muse [Album #76]

Screen Shot 2014-06-10 at 13.11.55Annwyn, Beneath the Waves – Faith and the Muse

Until the last decade I had shamefully only heard of Faith and the Muse in rumours and student bedroom wall posters. Faith and the Muse have a similar style to Ordo Equitum Solis. Much like OES, Cocteau Twins and Dead Can Dance, Faith and the Muse are popular amongst the dark clothe wearing goth fraternity. Dark in style with mediaeval tones, Faith and the Muse mix open atmospheric chords with wailing floaty dressed female vocals and, in some tracks, militaristic drumming.

I had only listened to Annwyn once before. I’m not sure I would choose them for a car mix tape or to accompany a dinner party. Unless I was trying to be some sort of hipster goth or impress some Twiglet (sic) obsessed teenagers on their first forays into the dark.

I don’t know why I find this kind of music enjoyable. Perhaps it is the mental images of  dark and wet rainy streets that it conjures. In all, if your folk is too cheery, this is what you want. In a room. With joss sticks and pentagrams.

 

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Album #75 – Animi Aegritudo – Ordo Equitum Solis

Screen Shot 2014-06-10 at 12.40.53Animi Aegritudo – Ordo Equitum Solis

Neo-folk? Goth? Both? Not entirely sure.

There seems to be a lot of dark wave European bands with latin names. Ordo Equitum Solis, or Empire of the Sun are one such example . OES have a similar sound to Dead Can Dance only without the wailing Lisa Gerrard or weird avante-gard revivalist instruments. There are no sackbuts or crumbhorns here.

Animi Aegritudo (or Mind Illness) gives you that haunting mediaeval feeling, like you should be in some sort of red candle lit cellar in Italy, just before red cassocked hooded monks come into the room and sacrifice you to some dark entity.

I really like them (OES that is, not weird demon summoning monks).  I could quite happily sit in a cellar somewhere and listen to their haunting songs while supping red wine from golden jewel encrusted goblets. Of course most of their stuff was released a long time ago although they have recently had a bit of a come back.

I was really lucky to discover OES whilst on a Usenet music harvesting excersise in the early noughties. Of course, at the time, none of their stuff was available to buy legitimately in the UK. Sure you could buy imports but the last time I did that I ended up with a large credit card bill for porn and internal flights in the USA, which, of course, I have no recollection of buying. Anyway, you can buy their stuff now through Amazon and CDBaby if you’re really interested. I suggest giving them ago. They grow on you . Like moss. On a red candle lit cellar wall.

 

 

 

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Album #74 – Animals – Pink Floyd

Screen Shot 2014-06-10 at 12.26.00Animals – Pink Floyd

The first time I heard this album back in 1991 I was told “You’ll not find this in HMV”. Curiously I did.

This is one of those defining life moment CDs. The ones where every track initialises memories of times past, people long gone and places you’ve not been to in a very long time.

As an introduction to Pink Floyd, Animals was a good place to begin. Political and observational lyrics define this as a Roger Waters masterpiece, a far flung difference to the earlier psychedelic shenanigans of Syd Barratt’s Floyd. It’s by no means the first but it’s one of the best. Clearly a pre-The Wall album and most definately Pink Floyd.

Listen especially to the Dr Whoesque Radiophonic Workshop like track Sheep.

I love this album. It is life affirming in a negative way. Shattering the illusions of the nuclear-age and dancing upon the tattered remains of the pre-Thatcherite British society. Dark, scathing and very well observed. Perfect.

ADDENDUM: I alsohave a “Limited Edition” Trance remix version of this album. It’s shocking. You’d have to be in a trance to like it.

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Angels Fall First – Nightwish [#73]

Screen Shot 2014-06-09 at 17.02.48 Angels Fall First – Nightwish

Long ago, deep deep in the forests of the snow bound lands of the bearded Vikings men gathered and sang of the faerie folk and mystical things too mystical for our closed modern minds to comprehend.

Spin forward several centuries and they’re at it again, complete with huge chested Valkyries, heavy metal guitars and lots of chugga-chugga riffs.

This album was my first experience of Nightwish. With it came a desire to visit Finland and see the forests and voluptuous valkyries while drinking salmiakki and growing a beard. The music had the added bonus of “This is shit get it off” chants from the wife. Of course, I didn’t, I just lapped it up in Lapland, sought out other similar artists and probably damaged my credibility as a music lover along the way.

But I don’t care. I was into Nightwish before metal hipsters. That makes me cool.

 

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Album #72 = Angel’s Egg – Gong

Screen Shot 2014-06-06 at 19.51.48Angel’s Egg – Gong (1973)

Take one impressionable teenager. Play them The Flying Teapot Radio Gnome Part 1. Sit back and wait.

I bought this in on CD in 1990 after having my mind blown by The Flying Teapot. Gong are kind of like Bonzo Dog Doo Dah band meets King Crimson. Jazz, with bizarre fantasy world inspired lyrics and a hell of a lot of jazz influence.

Several years later I was at Sheffield Hallam University and Gong were playing at the Nelson Mandela building (now demolished). Of course I was too shy to go and see them by myself and regret that I never had the balls to do so. I would probably have given up on them there and then.

French band, Gong’s second Radio Gnome but fifth album tells the story of Zero, the hero, and his continuing exploits on the planet Gong with the Pot Head Pixies. Yes, you guessed it, this album is heavily drug inspired. Perfect for your spotty teenager in the early to mid nineties at a time of naive mysticism and pre-millennial optimism. Great stuff, if only for a song about vaginas.

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Anderson Bruford Wakeman Howe – Anderson Bruford Wakeman Howe [#71]

Screen Shot 2014-06-06 at 19.10.20Anderson Bruford Wakeman Howe (ABWH)

ABWH by ABWH is an album that slots in between Big Generator and Union in the pantheon of Yes albums. Oh, yes, you probably won’t be aware of what happened.

As frequently happens with Yes, there are often little tiffs between members, some members want to do something one style, while the others throw their toys out the pram and say they want to do it a different way.

Case in point. Listen to any Yes album pre-90125. The style is different. You can hear how the style has evolved sure, but it’s definitely a different paradigm shift is styles. The younger, cooler, less hippy members of the band went “We want to do an album like this” while the pye eyed hippy lot went “No but we want to do one as well”

Unfortunately you can’t have two bands with the same name formed of members, old and new. No. It just won’t do (Are you reading this Renaissance, Deep Purple etc?)

So what you do in a situation like that? When your older band mates come along and say “Hey, lets make an album?” Well you make an album. Of course the existing member of Yes at the time (White, Squire, Kaye and Rabin) went “Oi! No! Not as Yes you don’t” and so began a long battle for the rights to use the band name Yes.

In the meanwhile, ABWH produced an album and this is that album. Jon Anderson, Steve Howe, Rick “Grumpy” Wakeman and Bill “I’ve met Stegzy Gnomepants” Bruford. It’s full of Anderson mystique, Howe and Wakeman twiddly and Bruford boshbishbashing. It’s a show off album. It says “Listen to us! We’re old but we can still do stuff”. Yeah.

It’s ok.

It’s not great.

It’s ok.

Its definitely of the time, late eighties, early nineties. You can tell from the tribal and African influences. To me it’s too twee for the time. It’s certainly an album of talent, but it’s like 10 years too late. The style is very Peter Gabriel and you can tell Squire isn’t about because the bass just isn’t as fiddly.

Spin forward a few years, the band reconciled their differences and recorded Union. Another pile of tosh. More of that later.

 

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Album #70 = And She closed Her Eyes – Stina Nordenstam

STINAAnd She Closed Her Eyes – Stina Nordenstam

Odd.

This is, apparently, a genre called New Weird America. Or so I’m told. By hipsters.

I am officially cool. I’m okay with this album. I don’t like it. I don’t hate it. I’m okay with it. That, and looking aloof, makes me cool.

However, because I don’t wear stupid hats, half mast trousers or half of a scrap metal yard in my ear, ironically, I’m not a hipster. Nor would I want to be.

The soft mellow jazzesque notes, bizarre child like and haunting tones of Ms Nordenstam and the simple repetitive melodies  make this like a soft tickly aural touch to your ears, similar to a light soft feathery touch you might have on your skin during some semi-somnambulistic sexiness.

One step away from a soul patch and a beret. Not too bad.

 

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Album #69 – Anastasis – Dead Can Dance

Screen Shot 2014-06-06 at 16.55.31 Anastasis – Dead Can Dance

We, so Brendan Perry sings, are the children of the sun in the first track on this long awaited album. Anastasis comes 16 years after the last DCD album, Spirit Chaser.  With majestic tones abound, this is typical DCD fodder.

Had I continued the Music Project last year, this album would not have featured, because, despite the embargo on new music until the project has finished, I couldn’t resist when it was on offer on Amazon. I treated myself during the hiatus.

I really like this album. If I was still 23 and living in my crumby bedsit playing computer games all day long, I’d more than likely have played it over and over again had it been released then of course.

Theres something about DCD. Something naughty. I don’t mean boobies naughty. I mean…hooded monk/candles/pentagrams naughty. To me it’s like I’m invoking long forgotten entities from some dark sexy place populated by leather catsuit clad comedy inflatable breasted succubi doing dances like that silhouetted woman on the opening titles of Tales from the Unexpected.

Probably why I like it.

 

 

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Album #68 – Amused to Death – Roger Waters

Screen Shot 2014-06-03 at 15.06.11 Amused to Death – Roger Waters

I don’t know what it is about pissed off rock musicians. They whinge and moan about society and how hard it is and how corrupt and awful people in power are. Then they jump on their yacht and sail off into the sunset to their mansion in Cuba or somewhere.

Being a bit of a Floyd fan I was recommended Amused to Death by my hippy friend Blair who always had a good music recommendation that would tickle the old conspiracy tentacles.

Waters moans about the influence of media and television on society and war.Saw him live once though. Think the smile on his face at the end of the concert said the most. It was a kind of “Thanks for your money suckers!” look.

Maybe I miss the point. Media only has the power it has over people because we let it. These days, with the power of media in our own hands, we perversely continue to suckle on the teats of our media mummies rather than actually getting out and making our own media. Like writing a blog. Or making a film. Or singing our own songs. None of which will necessarily make you a living unless you’re really good at it, have the right face and you know the right people.

If you like being angry and helpless to do anything, this is the album for you. If you don’t like being angry, do something about it.

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Album #67 – Among My Swan – Mazzy Star

Screen Shot 2014-06-03 at 14.54.23 Among My Swan – Mazzy Star

At school I was known as Mazzy S by some of my colleagues. Never really asked why. I just accepted it and moved on.

One day someone said “Ah Mazzy S, like Mazzy Star”. I queried them and they explained that Mazzy Star was a band. I asked if they were progressive rock and got told that they weren’t. So there ended my interest in them.

Spin forward a few years and Mrs-Soon-to-Be-Ex-Gnomepants mentioned that she liked a few songs by Mazzy Star. So here was my chance to find out what they were like.

Imagine being really depressed. At that depressed level where you are sat in a bar on your own staring at your shoes and wishing the world was a nicer place. Then imagine the bar owner getting really upset at you not buying any drinks and to get out of the place as he doesn’t open for another five hours or so.

Well Mazzy Star is like that.

Cold. Uncaring and shoegazery. I am not a hipster.

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Album #66 – Amarok – Mike Oldfield

Screen Shot 2014-06-03 at 13.56.10Amarok – Mike Oldfield

Oldfield presents a miasma of sound harking back to the wild days of Ommadawn in this release from 1990.

I remember asking Steph Ormsby to nip to HMV for me to get this on cassette because I was stuck in school and I simply had to have it.  Bless her, she did and I’m eternally grateful to her for doing so.

Without Amarok, the next 2 years would have been difficult expression wise. I could hear how Oldfield had vented frustrations against Branson and Virgin while at the same time marvelling at his musical prowess and wishing I was just as talented.

Of course, I’m not.

Presented as a single sixty minute track, something that was lost by listening to it on cassette, Amarok is a true experiment in your own understanding of musical form. I especially like how the ending just keeps building up and up. Theoretically, you could listen to it on loop for a whole day.  I do, however,  recommend that you listen to it when feeling a bit…eclectic.

These guys did a good job of performing it too:

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Album #65 – Amanda Palmer Goes Down Under – Amanda Palmer

Screen Shot 2014-06-03 at 13.36.42Amanda Palmer Goes Down Under – Amanda Palmer

Amanda Palmer, formerly Dresden Dolls, strums her stuff in antipodean climes. A clear difference from previous works under the name of Dresden Dolls but still an unmistakable sound.

Palmer is totally independent. She produces her own records, writes her own songs and markets herself through whatever medium she is able to. The record companies that tried to make her censor her body are probably spitting globules of regret like baked beans.

Angry lyrics interwoven by sleek musical passages and accompaniment, APGDU is a nice intro to Palmers work if you like your introductions live and hairy. There are no “greatest hit” tracks on the album nor are there any rehashes of studio stuff. Enjoyable.

 

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Album #64 – Always Got Tonight – Chris Isaak

Screen Shot 2014-06-03 at 13.17.14Always Got Tonight – Chris Isaak

One more day, is all he asks for in his first track of this album.

Isaak returns to form in this 2002 release.

As already discussed in the previous Isaak album entry, 2 Metre Sessie, my love for Mr Isaak’s music stems from my youth. Back in the day, I had moved from regular visits to HMV to relying on friends and the internet for my music information. So it is probably no wonder that I didn’t come across this album until several years after it was released. And what a shame it was that I did.

Had it been released in the nineties I probably would have given it more attention but by the time I had come across it I was preoccupied with home making and Scandinavian operatic rock. So as a result it sat in my music collection unlistened to for some time.

Isaak’s unmistakable sound reverberates through this album like a stick in a metal bucket. It’s full of good lonesome tunes bemoaning the breakup of undiscussed relationships, extolling the virtues of being in love and being America. American Boy the tenth track on this album featured heavily in Isaak’s television show which, for reasons unknown, was shown too late in the night to be noticed by me. Thus I listen to this album and feel guilty about not being a true fan and staying up until ungodly o’clock to watch his escapades.

 

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Album #63 – All Over the World – Electric Light Orchestra

Screen Shot 2014-06-03 at 11.52.16 All Over the World – Electric Light Orchestra

The Very Best of, apparently.

I really liked ELO when I was a kid. I suppose the tweeness and the optimism of their tunes lent some colour to my otherwise plodding teens. I can recall listening to them (on cassette of course) while doing my evening newspaper delivery round, whistling and singing away.

The selection of tunes here are what I’d probably pick if someone said: “Do us a compilation of ELO like”. But there are a few tracks I would have added that aren’t on this mix. I often wonder what goes through the head of people who make compilation albums like this. What makes them decide “Oh this is a banging choon, lets ‘ave that one on like” and yet neglect to put a song that is far superior in quality? I will no doubt explore this further when writing the reviews for the numerous Best Of compilation albums that will feature in this project.

Curiously, it wasn’t until recently that I actually found out what lead singer Jeff Lynne looked like.

Beards.

Says it all really.

 

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Album # 62 – Alive – Omnia

Screen Shot 2014-06-03 at 11.38.17Alive – Omnia

Somewhere in the mists of the mind exists a world of beardy weirdies playing hurdy gurdies and singing about fauns, elvenfolk and witches.

Somewhere in my record collection, here in fact, that world is recreated in sound.

Omnia class themselves as Pagan Folk and its not difficult to hear why. This is the type of music that has clearly evolved from the unity of Goth and New Age. Or morphed out of some Emo/Tweecore/Folk fusion.

I first came across Omnia while looking for a lesser known band Omniac . I never found more than I already knew about Omniac but instead my ears were treated to harps, traditional percussion and hurdy gurdy backed tunes with bearded weirdies reciting neofolkesque lyrics. A joy to behold!

So if you’re ever thinking of holding one of those happy gatherings in your leafy glade of a living room or back garden, this is the music you will want piped through.

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Album # 61 – The Album – Various Artists

url-1The Album- Various Artists

Short of stealing a TARDIS and traversing the wibbly wobbly, time travel is a bit difficult. However, you can mitigate the lack of ornate chez lounges or blue police boxes by slapping on a good old compilation of music from the period to which you want to travel.

And that’s exactly what this album does. It transports the listener to the heady days of the late nineties and early noughties.

There are just as many artists I’ve never heard of on here as there are artists I have. Immediately I am there, mooching about Liverpool in the mid to late nineties wearing my scruffy jeans. Neo-Socialist optimism oozing out of the ground in a pre-911 hedonistic carefree era.

Bands such as Blur, Creed, Manic Street Preachers and Top”We now play at village fetes”loader strumming away in that plastic coated faux indie scene soundscape created in antithesis of the cheezy and garish eighties soundscape.

Not a bad compilation for long journey in the car. Or for when you’re writing one of those gritty dramas about young people flat sharing in the mid 90s early noughties.

 

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